Gustl Bayrhammer

A crime comedy directed by Thomas Engel.

Three short episodes directed by Gedeon Kovacs.

For fans of history, this glimpse of Munich society in the 1920s will be a much-treasured event. The story revolves around an art-gallery manager who puts on a show featuring the scandalous works of a woman artist who committed suicide. He is unjustly accused of having committed adultery with her, and for some reason the authorities decide to make an example of him. He is imprisoned at about the same time that Hitler and the nascent Nazi party attempt the infamous Beer Hall Putsch, and the gallery manager's girlfriend and a Swiss writer valiantly (and unsuccessfully) attempt to get better justice for him. Nobody in authority, it seems, has the courage to take up the challenge of righting this particular injustice.

In the Bavarian village of Schladerbach, the kobold Hatschipuh and his comrades live, of whose existence only Grandpa Reiter is aware. When the building constructor Lederer builds himself a new mansion, the subterranean settlement of the kobolds gets destroyed, and Grandpa Reiter sees himself forced to move them into his barn. But this abode as well is soon threatened: Since the farm is no longer profitable, Father Reiter plans to sell it…

On the occasion of his last regulars’ table in his old neighbourhood of Schwabing, the laconic pensioner Schorsch gets paid a cab drive to his new home in Neuperlach in the outskirts of the city by his pals. But Schorsch rather wants to take one last look at his old downtown apartment which he had renovated himself after the war, and where he had lived for almost forty years until his landlord bullied him out of there as the latter wanted to use the space for expensive luxury apartments. Because Schorsch’s wife wanted to move to “the countryside”, they thereupon moved to the Neuperlach development site in the outskirts of Munich. But amongst the uniformly looking housing blocks, Schorsch can’t even find his new apartment, and so, the grumpy cabdriver Gustl becomes his companion on a nightly odyssey.

Gustl Bayrhammer takes audiences big and small on a musical journey to “Wonderland”. There he meets various characters from comic books, fairy tales and legends.

Herbie Melbourne is a poor schlemiel who is inadvertently caught between the Devil and the deep blue sea in this German farce about a cab driver assigned to bring a "comrade" back to the East German side of the Berlin wall, a passenger who is dead to the world, permanently, when he arrives. Herbie the cabbie is recruited by the KGB and East German Intelligence to help them discover who murdered the man in his back seat. After arriving on the West German side of the divide, Herbie is then recruited by the CIA and West German Intelligence to become a counterspy, for double what the other side is paying him. As Herbie seems to have no viable way out of this mess, he goes to a therapist for help. Reaching into her bag of tricks, she gives Herbie a small bottle he can sniff when in need of self-confidence, an act guaranteed to put him on top of any situation. Now Herbie is a cabbie, a KGB agent, a CIA agent, and a bottle sniffer -- and he is falling in love with his gorgeous therapist.

A comedy directed by Olf Fischer.

At the behest of his father, the young Karl Valentin is to complete a carpentry apprenticeship. When the father gets into a financial mess by a strict creditor, the boy works with growing success as a comedian to support his parents financiall

The lackluster and plodding Bolweiser has the (mis)fortune to be married to the town’s siren; his trusting nature leads him into serious trouble when she beds nearly every available guy.

A comedy directed by Ernst Schmucker.

Inspired by the real life events of Mathias Kneißl, a marginal man, son of poor farmers from Bavaria, in the late XIX Century. Mathias stole from the riches to give to the poor, becoming a hero for the rural people, and a popular social rebel. He was chased by the police until his unfortunate sentence.

A four man US fireteam on patrol seizes a passing young Vietnamnese girl and continue to torture, rape and kill her. Only one soldier refuses to take part in it and reports this incident to his superior, who dismisses it as simple wartime incident. As a consequence for his report, the soldier has to fear for his life. Later, the perpetrators are convicted, although subsequent appeals reduce their sentences significantly. The plot takes place in a Bavarian forest and reenacts a real war crime that happened in the Vietnam war. The soldiers wear US uniforms, have authentic names but speak with a pronounced Bavarian accent - a conscious directing decision known as Brechtian distancing effect.