Richard Berstein

Richard Berstein

プロフィール写真

Richard Berstein

参加作品

Philip Glass: Akhnaten
Aye
Philip Glass’ opera “Akhnaten”, premiered in Stuttgart in 1984, forms the third part of the portrait opera trilogy about personalities who have influenced the course of human history. The conclusion of the trilogy deals with the ancient Egyptian pharaoh Akhenaten, who attempted to establish a kind of monotheistic cult around the god Aton during his reign in the 14th century BC, but failed due to the resistance of the priesthood. The production presented here was undoubtedly one of the very great successes of the 2019/20 season at New York’s Metropolitan Opera, due not only to the outstanding cast of singers (led by countertenor Anthony Roth Costanzo) but also to Phelim McDermott’s imaginative staging, which captivates with sometimes breathtaking imagery.
The Metropolitan Opera - Puccini: Manon Lescaut
A Sea Captain
Kristine Opolais is the young woman whose conflicting desires for love and luxury lead to her tragic end, and Roberto Alagna plays the man who falls for her in Puccini’s early hit. Richard Eyre’s elegant production, which sets the action in 1940s occupied France, was one of the highlights of the Met’s 2015–16 season. Massimo Cavalletti as Manon’s brother and Brindley Sherratt as her aging admirer co-star, and Principal Conductor Fabio Luisi is on the podium.
Puccini: La Fanciulla del West
Bello
This excellent Deutsche Grammophon Blu-ray DVD was made during a Metropolitan Opera company performance of “La Fanciulla del West” in December 2010. The performance marked the centenary of the world premiere of the opera at the old Metropolitan Opera in 1910 with Caruso as Ramirrez or Dick Johnson, Emmy Destinn as Minnie, Pasquale Amato as Jack Rance and Arturo Toscanini as the conductor. Puccini helped in the production of the opera and was present in the audience on the night of the premiere.
Strauss: Salome
Second soldier
It is no wonder that Met audiences have gone wild over Karita Mattila’s sizzling Salome. Indisputably one of the greatest Salomes of our time, Mattila utterly incarnates Oscar Wilde’s petulant, willful, and lust-driven heroine. With Strauss’s groundbreaking music magnifying the degenerate atmosphere and building the erotic tension, this is one opera that is as shocking today as it was at its premiere in 1905.