Alessandro Pelliccia

With Spy, filmmaker Yuri Ancarani proposes an oneiric journey inside “Breath Ghosts Blind,” an exhibition by Maurizio Cattelan at Pirelli HangarBicocca, curated by Roberta Tenconi and Vicente Todolí, conceived as a reflection in three acts on the human existence and the cycle of life with all its contradictions and frailties. The narration, seen through the eyes of an unusual visitor—whose fugitive identity is revealed only towards the end of the video—unfolds as a nonlinear sequence, with a disorienting editing and mesmerizing juxtapositions of image frames of the three works of art on display.

We are in a beautiful southern family, united by a deep relationship, despite some misunderstandings: Franco, a father who has dedicated his life to his loved ones and to work.

In August 1961, speleologists from Italy’s booming North arrive on a Calabrian plateau where time stands still. The intruders discover one of the world’s deepest caves, the Bifurto Abyss, under the gaze of an old shepherd, the only witness of the pristine territory.

1983年夏、北イタリアの避暑地で家族と過ごす17歳のエリオは、大学教授の父が招待した年上の大学院生オリヴァーと出会う。一緒に自転車で散策したり泳いだり、読書したり音楽を聴いたりするうちに、エリオはオリヴァーに恋心を抱く。やがてその思いは通じるが、夏の終わりが近づくにつれてオリヴァーが避暑地を去る日が近くなる。

Cristina lives a peaceful life until her older brother Ciro, who has to attend a trial, asks to spend house arrests at Cristina’s home.

Spanning nearly four decades, this generational epic follows two Italian brothers from a middle-class family through some of the most significant events of postwar Italian history after their life paths diverge thanks to one fateful encounter during the summer of 1966.