Editor
The personal mythology of everyday life creates a personal system of signs, meanings and images in public space. Sequences of places, views, movements, contacts and observations push the boundaries of reflection over the ordinary. The self-evidence of what is happening and the routine forms of social interaction build a documentary narrative through the prism of individual experience of perception.
Director of Photography
The personal mythology of everyday life creates a personal system of signs, meanings and images in public space. Sequences of places, views, movements, contacts and observations push the boundaries of reflection over the ordinary. The self-evidence of what is happening and the routine forms of social interaction build a documentary narrative through the prism of individual experience of perception.
Writer
The personal mythology of everyday life creates a personal system of signs, meanings and images in public space. Sequences of places, views, movements, contacts and observations push the boundaries of reflection over the ordinary. The self-evidence of what is happening and the routine forms of social interaction build a documentary narrative through the prism of individual experience of perception.
Director
The personal mythology of everyday life creates a personal system of signs, meanings and images in public space. Sequences of places, views, movements, contacts and observations push the boundaries of reflection over the ordinary. The self-evidence of what is happening and the routine forms of social interaction build a documentary narrative through the prism of individual experience of perception.
Himself
A documentary about the closure of a very strange gallery of modern art, which been exists about two months in the center of Minsk in the spring of 2015 and attracted an average of 0-4 visitors per day. In the role of the founder of the gallery — actionist artist Dmitry Veleskevich.
