Jokūbas Čižikas

New Mineral Collective is the largest and least productive mining company in the world. The company provides counter- prospecting operations and geo-trauma healing therapies at 259 Lake Shore Blvd E and Small Arms. This video installation, Pleasure Prospects, follows the process of acquiring prospecting licenses for alternative values and takes a critical look at “perforated landscapes”—land altered by extractive industries.

A woman born with sirenomelia, a mythological posthuman being takes us on the journey to the Cold War submarine base above the arctic circle. She exposes a future liberated from the military and economic structures that oppress the present, a future in which relations between humans and nonhumans have been transfigured, a future in which the cosmic dimension of an earthly coexistence is interlaced within the texture of the social. Sirenomelia explores questions of the beginning of the universe in relation to the geological ungrounding processes, invisible structures, geo-traumas and deep time. It is a fictional visual meditation about contemporary science and a cross sections of the larger systems of power and the politics of desire. By performing in Sirenomelia herself, Škarnulytė becomes a measure for biosphere, magnetic fields, photons, minerals and gravity waves.

A woman born with sirenomelia, a mythological posthuman being takes us on the journey to the Cold War submarine base above the arctic circle. She exposes a future liberated from the military and economic structures that oppress the present, a future in which relations between humans and nonhumans have been transfigured, a future in which the cosmic dimension of an earthly coexistence is interlaced within the texture of the social. Sirenomelia explores questions of the beginning of the universe in relation to the geological ungrounding processes, invisible structures, geo-traumas and deep time. It is a fictional visual meditation about contemporary science and a cross sections of the larger systems of power and the politics of desire. By performing in Sirenomelia herself, Škarnulytė becomes a measure for biosphere, magnetic fields, photons, minerals and gravity waves.

Energy Island invites viewers for an immersive sensorial trip into the Ignalina Nuclear Power Plant in Lithuania, now undergoing a decommissioning process. The images of contaminated ruins transform in the fire, light and shadow; the destruction of the industrial space consistently reveals how Cold War energy structures impact recent geopolitical processes and leave planetary threats over long periods of time. The project takes a geological approach – it reads things that compose this flat landscape as a stack of stratigraphic layers. The man­made space is understood as a sedimentary process and the infrastructures, as well as the mineral resources, are assessed as the key parameters defining a development of the project.