Dominique Valadié

Marc, a bipolar and paranoid filmmaker, cannot tolerate seeing his current project picked apart by his producers. The clips he’s been able to sneak a look at lead him to fear the worst. With his editor as an accomplice, he manages to spirit away the rushes to his aunt’s place in the Cévennes, to finish the film as he envisions it. Instead, its completion is constantly postponed, as he creates endless diversions and impasses, which alternate between the comic and the downright disturbing.

First half of a two-film adaptation of Alexandre Dumas' novel.

Annie carries a weight which is as heavy as a secret. This winter, even the dune in which she confides doesn’t contain it anymore. On the sand’s surface, the reeds grew and began to sing. The worst for Annie would be that her daughter Natacha suffered from this chant.

Benedict missed Mother's funeral. He was stuck in the Eurostar. In the offbeat as always, and a little pitiful, he joined the family home to find his brother, his two sisters - and in a merry bazaar, many memories. There, in the remnants of his childhood, in the intimacy of his room, he sees her - She is waiting for him. And she will not let go.

While Olivier, a 39 year-old foreman gives his job everything he’s got, Laura, his wife and the mother of their two children, abandons the family home, leaving Olivier alone to face his responsibilities. Lost and completely thrown, Olivier is going to have to come to terms with his new status as a single father raising his children alone. Because Laura’s not coming back.

Marion and Ben, thirty years old, meet on Tinder. That's about all they have in common; but the opposites attract each other, and they decide in the early morning of their meeting to go on vacation together despite the advice of their entourage. They will finally leave - to Bulgaria, halfway to their dream destinations: Beirut for Marion, Biarritz for Ben. Without a precise plan and, as they will soon discover, with very different conceptions of what a dream holiday should be.

Laura is still waiting for Prince Charming at the age of 24. So when Sandro appears at a party, exactly like her Prince would in her dreams, she thinks she's found the right one. But then again, when she meets Maxime, Laura starts to wonder if some Princes could be more charming than others? Of course Sandro has problems of his own : his father, Pierre, just bumped into Madam Irma at his father's funeral and this reminded him of the date of his own death which Madame Irma had predicted ages ago. Now Pierre is unable to make any plans, not with his new partner Eleonore, nor with Sandro. And Maxime has his own problems, and so does Eleonore, Marianne, Jacqueline and many others. But don't worry, in the end, they'll all live happily ever after.

Célimène, a 35 year old writer is troubled by Anaïs, a 17 year old girl.

Alexandrine, 35, who everyone nicknames Didine, peacefully goes with the flow, the opposite of her best friend Muriel. In this way, she one day crosses the threshold of a elderly person caregivers’ agency where, faced with an extrovert teenager, a charming man, and a cruel, elderly woman, she takes hold of her existence and encounters love.

At the start, Christine Blanc is a temp, her boyfriend has gone. Near the story's end, she's been offered a steady job, she has a fiancé, other men seem interested in her, she's passed her driving test, and, after she wins 1000 Euros in a scratch-off, her colleagues sing that she's a jolly good fellow ("one of us"). But something's askew: her gaze is too direct, her eyes open too widely; conversational gambits hit odd notes; she parrots others' words; she cooks too much food when she invites a supervisor to dinner. When the supervisor takes Christine on a spontaneous outing that disorients her, her oddities become something else. Can things ever be normal?

Drama set in the Second World War, focused on Jean Moulin, hero, martyr and symbol of the French resistance and the patriotism during the dark years of Nazi occupation.

In Lyon, where many are unemployed, Marie is a prostitute who loves her work: she's thoughtful and exuberant toward clients old and young, slim or flabby. One night, a homeless man sleeps in the foyer of her apartment house; she gives him a hot meal, then a place on the floor to sleep by her radiator, then she offers herself. She falls in love, giving him new life, clothes, a place to live. When he grouses that he must bar hop while she uses the flat for her work, she finds them a larger flat. He grows restless, seducing a manicurist and pressing her to prostitution. He's arrested for procuring, so Marie must decide what to do; he, too, must face the consequences of his choices.

A young Parisian must make major decisions about pregnancy, a job and her boyfriend.

Ramses is a "life organs" smugler and a millionaire. He wishes to have the tower of Babel rebuilt and hires a detective to find the architect who disappeared with the original plans.

The life of a twelve-year-old living with her mother is disrupted by the arrival of a very young man at home. While her feelings become confused and the dramas burst, the girl will try to find in his entourage someone able to listen and understand it, before the worst happens.