Mykola Ridnyi

参加作品

Daredevils
Writer
The film explores unobvious connections between the cultural and political phenomena of Italy and Ukraine. Suddenly, fans of Italian futurism and fascism appear among the Ukrainian far-right community. At the same time, conservative ideas are spreading in Italy and Europe. There are its own heroes, villains and victims including Ukrainian soldier Vitalii Markiv, far-right publishing house Iron Dad, former Italian Deputy Prime Minister Matteo Salvini, a group of pro-Russian recruits for the war in Donbas, and others.
Daredevils
Director
The film explores unobvious connections between the cultural and political phenomena of Italy and Ukraine. Suddenly, fans of Italian futurism and fascism appear among the Ukrainian far-right community. At the same time, conservative ideas are spreading in Italy and Europe. There are its own heroes, villains and victims including Ukrainian soldier Vitalii Markiv, far-right publishing house Iron Dad, former Italian Deputy Prime Minister Matteo Salvini, a group of pro-Russian recruits for the war in Donbas, and others.
On a Way Back
Cinematography
Because of the decommunization laws, paintings and sculpturesof socialist realism at the National Art Museum of Ukraine aretrapped in complicated political circumstances. Will those works be brought back to the museum after its reconstruction?
On a Way Back
Editor
Because of the decommunization laws, paintings and sculpturesof socialist realism at the National Art Museum of Ukraine aretrapped in complicated political circumstances. Will those works be brought back to the museum after its reconstruction?
On a Way Back
Screenplay
Because of the decommunization laws, paintings and sculpturesof socialist realism at the National Art Museum of Ukraine aretrapped in complicated political circumstances. Will those works be brought back to the museum after its reconstruction?
On a Way Back
Director
Because of the decommunization laws, paintings and sculpturesof socialist realism at the National Art Museum of Ukraine aretrapped in complicated political circumstances. Will those works be brought back to the museum after its reconstruction?
No! No! No!
Director
The main heroes of the film are the young people from Kharkiv, a city located in the Eastern part of Ukraine. Reaching their early twenties coincided with the breakout of the war in the neighboring region of Donbass. An LGBT activist and poet, a fashion model, a group of street artists, a creator of a computer game - all of them are artists or working in the creative industries, typical for a peaceful life of a big city. However, the proximity to the war affects each of the characters and their activities. Heroes react and reflect political events through their specific relationships with the urban space and the reality of the social media.
Grey Horses
Editor
Based on the investigation records and the stories of relatives of a little-known Ukrainian anarchist Ivan Krupsky, who is the great-grandfather of the film's director. The documentary dramatizations are dedicated to the paradoxical periods of the protagonist's life: his leadership in a rebel unit, participation in the civil war of the early 1920s, his hiding from persecution under the guise of a Soviet police officer, his job as a factory construction worker. The stories about situations in the past are reproduced using the actions of contemporary characters: contemporary anarchists, officers of the New Police, students and workers. The filming took place at the locations of particular historical events, in Poltava, Hadiach, Kharkiv and Bohodukhiv.
Grey Horses
Camera Operator
Based on the investigation records and the stories of relatives of a little-known Ukrainian anarchist Ivan Krupsky, who is the great-grandfather of the film's director. The documentary dramatizations are dedicated to the paradoxical periods of the protagonist's life: his leadership in a rebel unit, participation in the civil war of the early 1920s, his hiding from persecution under the guise of a Soviet police officer, his job as a factory construction worker. The stories about situations in the past are reproduced using the actions of contemporary characters: contemporary anarchists, officers of the New Police, students and workers. The filming took place at the locations of particular historical events, in Poltava, Hadiach, Kharkiv and Bohodukhiv.
Grey Horses
Producer
Based on the investigation records and the stories of relatives of a little-known Ukrainian anarchist Ivan Krupsky, who is the great-grandfather of the film's director. The documentary dramatizations are dedicated to the paradoxical periods of the protagonist's life: his leadership in a rebel unit, participation in the civil war of the early 1920s, his hiding from persecution under the guise of a Soviet police officer, his job as a factory construction worker. The stories about situations in the past are reproduced using the actions of contemporary characters: contemporary anarchists, officers of the New Police, students and workers. The filming took place at the locations of particular historical events, in Poltava, Hadiach, Kharkiv and Bohodukhiv.
Grey Horses
Screenplay
Based on the investigation records and the stories of relatives of a little-known Ukrainian anarchist Ivan Krupsky, who is the great-grandfather of the film's director. The documentary dramatizations are dedicated to the paradoxical periods of the protagonist's life: his leadership in a rebel unit, participation in the civil war of the early 1920s, his hiding from persecution under the guise of a Soviet police officer, his job as a factory construction worker. The stories about situations in the past are reproduced using the actions of contemporary characters: contemporary anarchists, officers of the New Police, students and workers. The filming took place at the locations of particular historical events, in Poltava, Hadiach, Kharkiv and Bohodukhiv.
Grey Horses
Director
Based on the investigation records and the stories of relatives of a little-known Ukrainian anarchist Ivan Krupsky, who is the great-grandfather of the film's director. The documentary dramatizations are dedicated to the paradoxical periods of the protagonist's life: his leadership in a rebel unit, participation in the civil war of the early 1920s, his hiding from persecution under the guise of a Soviet police officer, his job as a factory construction worker. The stories about situations in the past are reproduced using the actions of contemporary characters: contemporary anarchists, officers of the New Police, students and workers. The filming took place at the locations of particular historical events, in Poltava, Hadiach, Kharkiv and Bohodukhiv.
Armed and Dangerous 3
Editor
Imagine that Conservatives came to power and established authoritarian regimes all over Europe. Ukraine was no exception. Paramilitary groups of kids started patrolling the streets. Queer-Anarcha-Feminists went underground and began preparations for the resistance.
Armed and Dangerous 3
Cinematography
Imagine that Conservatives came to power and established authoritarian regimes all over Europe. Ukraine was no exception. Paramilitary groups of kids started patrolling the streets. Queer-Anarcha-Feminists went underground and began preparations for the resistance.
Armed and Dangerous 3
Producer
Imagine that Conservatives came to power and established authoritarian regimes all over Europe. Ukraine was no exception. Paramilitary groups of kids started patrolling the streets. Queer-Anarcha-Feminists went underground and began preparations for the resistance.
Armed and Dangerous 3
Screenplay
Imagine that Conservatives came to power and established authoritarian regimes all over Europe. Ukraine was no exception. Paramilitary groups of kids started patrolling the streets. Queer-Anarcha-Feminists went underground and began preparations for the resistance.
Armed and Dangerous 3
Director
Imagine that Conservatives came to power and established authoritarian regimes all over Europe. Ukraine was no exception. Paramilitary groups of kids started patrolling the streets. Queer-Anarcha-Feminists went underground and began preparations for the resistance.