Elias Parvulesco

ZONG explores the phenomenon of the swamp from different perspectives: as a locus of fears in the folklore of agricultural societies; as an exploited landscape in the industrial age; as a complex system of ties between species within the posthumanist paradigm.

ZONG explores the phenomenon of the swamp from different perspectives: as a locus of fears in the folklore of agricultural societies; as an exploited landscape in the industrial age; as a complex system of ties between species within the posthumanist paradigm.

ZONG explores the phenomenon of the swamp from different perspectives: as a locus of fears in the folklore of agricultural societies; as an exploited landscape in the industrial age; as a complex system of ties between species within the posthumanist paradigm.

ZONG explores the phenomenon of the swamp from different perspectives: as a locus of fears in the folklore of agricultural societies; as an exploited landscape in the industrial age; as a complex system of ties between species within the posthumanist paradigm.

A museum guide shows around the historical guns room. Weapon manufacturers exhibit their latest products at the trade fair. A girl decides to resist weapon circulation in society and destroys a stolen gun.

A museum guide shows around the historical guns room. Weapon manufacturers exhibit their latest products at the trade fair. A girl decides to resist weapon circulation in society and destroys a stolen gun.

A museum guide shows around the historical guns room. Weapon manufacturers exhibit their latest products at the trade fair. A girl decides to resist weapon circulation in society and destroys a stolen gun.

A museum guide shows around the historical guns room. Weapon manufacturers exhibit their latest products at the trade fair. A girl decides to resist weapon circulation in society and destroys a stolen gun.

Television has changed our world. However, do we realize the scope of this metamorphosis? This audiovisual research investigates the first two decades of the mass spreading of Ukrainian television. One of its centers was Lviv, where in 1957, a plant for production of TV equipment was launched, and the first Ukrainian TV-sets branded Lviv were produced.

An attempt to question human gaze upon nature, recognize subjectivity of a tree and approach its radical otherness. Film looks into the case of fifteen "winners" of the National Trees of Ukraine competition and explores the image of a tree as reflected in the language of legislation, journalism and poetry.

An attempt to question human gaze upon nature, recognize subjectivity of a tree and approach its radical otherness. Film looks into the case of fifteen "winners" of the National Trees of Ukraine competition and explores the image of a tree as reflected in the language of legislation, journalism and poetry.

An attempt to question human gaze upon nature, recognize subjectivity of a tree and approach its radical otherness. Film looks into the case of fifteen "winners" of the National Trees of Ukraine competition and explores the image of a tree as reflected in the language of legislation, journalism and poetry.

An attempt to question human gaze upon nature, recognize subjectivity of a tree and approach its radical otherness. Film looks into the case of fifteen "winners" of the National Trees of Ukraine competition and explores the image of a tree as reflected in the language of legislation, journalism and poetry.

An attempt to question human gaze upon nature, recognize subjectivity of a tree and approach its radical otherness. Film looks into the case of fifteen "winners" of the National Trees of Ukraine competition and explores the image of a tree as reflected in the language of legislation, journalism and poetry.

Based on Ukrainian works of art of the late 1920s and early 1930s, the film explores the paradoxes of the formation of Soviet socialist realism.

Based on Ukrainian works of art of the late 1920s and early 1930s, the film explores the paradoxes of the formation of Soviet socialist realism.

Based on Ukrainian works of art of the late 1920s and early 1930s, the film explores the paradoxes of the formation of Soviet socialist realism.

A young girl makes images, which does not bring her any income. She can hardly afford renting a room where she spends most of her time. At a certain moment, she experiences an incident that she wants to share with her brother. Will they be able to talk?

An audiovisual study on the utopian territory of the Ukrainian nuclear cities. The film is made of TV and film chronicles of 1970-86, filmed in six Ukrainian nuclear cities. The construction of nuclear cities, the nuclear power plants satellite towns, has started in the USSR in 1950s, in Ukraine in 1970s. The building of these new type cities was accompanied by the hype of the 'eternal' kind of power conquest and recreation of the utopian Lenin's images. The nuclear cities embodied the leading ideological, city planning, ecological, and scientific ambitions. In 1970-80, when the Soviet state was going through the social and ideological crisis, the nuclear cities were the reservations of the Soviet utopia. This is a film about overcoming the contradictions of the final USSR years, based on the image of a utopian nuclear city.

An audiovisual study on the utopian territory of the Ukrainian nuclear cities. The film is made of TV and film chronicles of 1970-86, filmed in six Ukrainian nuclear cities. The construction of nuclear cities, the nuclear power plants satellite towns, has started in the USSR in 1950s, in Ukraine in 1970s. The building of these new type cities was accompanied by the hype of the 'eternal' kind of power conquest and recreation of the utopian Lenin's images. The nuclear cities embodied the leading ideological, city planning, ecological, and scientific ambitions. In 1970-80, when the Soviet state was going through the social and ideological crisis, the nuclear cities were the reservations of the Soviet utopia. This is a film about overcoming the contradictions of the final USSR years, based on the image of a utopian nuclear city.

An audiovisual study on the utopian territory of the Ukrainian nuclear cities. The film is made of TV and film chronicles of 1970-86, filmed in six Ukrainian nuclear cities. The construction of nuclear cities, the nuclear power plants satellite towns, has started in the USSR in 1950s, in Ukraine in 1970s. The building of these new type cities was accompanied by the hype of the 'eternal' kind of power conquest and recreation of the utopian Lenin's images. The nuclear cities embodied the leading ideological, city planning, ecological, and scientific ambitions. In 1970-80, when the Soviet state was going through the social and ideological crisis, the nuclear cities were the reservations of the Soviet utopia. This is a film about overcoming the contradictions of the final USSR years, based on the image of a utopian nuclear city.

A reflection on modern globalized cities, their controversial past, and personal spatial memory.

A reflection on modern globalized cities, their controversial past, and personal spatial memory.

A reflection on modern globalized cities, their controversial past, and personal spatial memory.

According to the medieval religious text Alphabet of ben Sirach, Lilith was the first wife of Adam. Unlike Eve, she refused to obey her husband and considered herself equal to him. Lilith's Community is a virtual utopian sorority created through artistic revision of history on the basis of positive gender discrimination and rejection of the tradition of male domination. Lilith's Community is compiled out of eleven Ukrainian films of 1917-1930 by leaving only the episodes involving women. The editing was done not by creating artificial connections between the episodes, but by superimposing all source films according to the original chronology of episodes in each of them. Even with such hyperdensity, the film sometimes displays a black screen. It indicates that at this particular moment of the running time none of the eleven films featured a woman.

According to the medieval religious text Alphabet of ben Sirach, Lilith was the first wife of Adam. Unlike Eve, she refused to obey her husband and considered herself equal to him. Lilith's Community is a virtual utopian sorority created through artistic revision of history on the basis of positive gender discrimination and rejection of the tradition of male domination. Lilith's Community is compiled out of eleven Ukrainian films of 1917-1930 by leaving only the episodes involving women. The editing was done not by creating artificial connections between the episodes, but by superimposing all source films according to the original chronology of episodes in each of them. Even with such hyperdensity, the film sometimes displays a black screen. It indicates that at this particular moment of the running time none of the eleven films featured a woman.

This purely observational film, underscored by the noise and sounds of protests, explores, in static frontal shots or from above, the spontaneous architecture of seven Kiev barricades erected in the streets leading to Independence Square. The film does not explore the conflict itself, but is a bizarre homage to the anonymous engineers of revolt.

This purely observational film, underscored by the noise and sounds of protests, explores, in static frontal shots or from above, the spontaneous architecture of seven Kiev barricades erected in the streets leading to Independence Square. The film does not explore the conflict itself, but is a bizarre homage to the anonymous engineers of revolt.

This purely observational film, underscored by the noise and sounds of protests, explores, in static frontal shots or from above, the spontaneous architecture of seven Kiev barricades erected in the streets leading to Independence Square. The film does not explore the conflict itself, but is a bizarre homage to the anonymous engineers of revolt.

This purely observational film, underscored by the noise and sounds of protests, explores, in static frontal shots or from above, the spontaneous architecture of seven Kiev barricades erected in the streets leading to Independence Square. The film does not explore the conflict itself, but is a bizarre homage to the anonymous engineers of revolt.

This purely observational film, underscored by the noise and sounds of protests, explores, in static frontal shots or from above, the spontaneous architecture of seven Kiev barricades erected in the streets leading to Independence Square. The film does not explore the conflict itself, but is a bizarre homage to the anonymous engineers of revolt.