Dominic Rowan

Olivier award-winner Eve Best (A Moon for the Misbegotten and Hedda Gabler) and BAFTA-nominated actress Anne Reid (Last Tango in Halifax) star in this new classically staged production of Oscar Wilde’s comedy directed by Dominic Dromgoole, former Artistic Director of Shakespeare’s Globe. The first play from the Classic Spring Theatre Company’s Oscar Wilde Season, A Woman of No Importance will be captured live for cinemas from the Vaudeville Theatre in London’s West End. An earnest young American woman, a louche English lord, and an innocent young chap join a house party of fin de siècle fools and grotesques. Nearby a woman lives, cradling a long-buried secret. First performed in 1893, Oscar Wilde’s marriage of glittering wit and Ibsenite drama satirised the socially conservative world of the Victorian upper-class, creating a vivid new theatrical voice which still resonates today.

Vincentio, Duke of Vienna, disgusted by the immorality in his city, announces his withdrawal from public life and leaves his deputy, the puritanical Angelo, in charge. Angelo, in his zeal for observing the letter of the law, begins a ruthless programme to stamp out sexual licence, in the course of which he condemns one Claudio to death. Surely Claudio’s virginal sister Isabella, a novice nun seeking mercy for her brother, could not awake the lust of this cold, censorious man?

Medea is a wife and a mother. For the sake of her husband, Jason, she’s left her home and borne two sons in exile. But when he abandons his family for a new life, Medea faces banishment and separation from her children. Cornered, she begs for one day’s grace. It’s time enough. She exacts an appalling revenge and destroys everything she holds dear.

In Henrik Ibsen’s A Doll’s House, Nora Helmer, having fraudulently borrowed money to save her husband, is forced to reveal her secret and, in doing so, reassess her life as it stands. This production, directed by Carrie Cracknell, was captured by Digital Theatre live at London’s Young Vic theatre.

The Tudor Court is locked in a power struggle between its nobles and the Machiavellian Cardinal Wolsey, the King's first minister and the country's most conspicuous symbol of Catholic power. Wolsey's ambition knows no bounds and when his chief ally, Queen Katherine, interferes in the King's romance with Ann Bullen, he brings ruin upon himself, the Queen and centuries of English obedience to Rome.

Thea Sharrock's irresistible 2009 production of Shakespeare's popular romantic comedy stirs wit, sentiment, intrigue and love into a charming confection which challenges the traditional rules of romance. At its heart, a feisty but feminine Rosalind (Naomi Frederick), in love with the endearingly naïve Orlando (Jack Laskey), uses her disguise as Ganymede to counsel him playfully in the art of wooing. Distraction is provided by Dominic Rowan, a remarkably funny Touchstone, and Tim McMullan, whose sonorous tones are perfectly suited to the lugubrious wit of Jaques. Filmed in High Definition and true surround sound.

The story of Sally (Georgia MacKenzie) and Michael (Kris Marshall) a couple who are attempting to cope with the trauma of miscarriage. The day Michael brings home pedigree puppy Archie it changes their lives forever. With their relationship wavering under the emotional stress, Sally decides to leave Michael. As a bolt hole she moves in next door to her new-found doggie friend, Guy (Dominic Rowan) and his formidable mother, dog show judge and Rottweiler breeder, Mrs Jessop (Diana Quick). Michael goes to pieces when Sally leaves, losing his job and self-respect. He turns to Archie for solace and man's best friend leads him to the disparate but caring members of a local dog club who just might be able to help him win back Sally.

A political drama about the last days of Harold Wilson's Labour government in the 1970s and his curious relationship with his personal secretary Marcia Williams

This Lost World is a splendid BBC TV dramatisation of Sir Arthur Conan Doyle's famous adventure story. Bob Hoskins makes an unusually genial Professor Challenger, far less of a bully than Doyle's character, but his slightly stereotyped companions are nicely filled out by a solid cast. James Fox is Challenger's more timid but still covertly adventurous rival, Tom Ward is the moustachioed big game hunter who faces an Allosaurus with an elephant gun, and Matthew Rhys plays the tagalong reporter hoping to impress his faithless fiancée.

This Lost World is a splendid BBC TV dramatisation of Sir Arthur Conan Doyle's famous adventure story. Bob Hoskins makes an unusually genial Professor Challenger, far less of a bully than Doyle's character, but his slightly stereotyped companions are nicely filled out by a solid cast. James Fox is Challenger's more timid but still covertly adventurous rival, Tom Ward is the moustachioed big game hunter who faces an Allosaurus with an elephant gun, and Matthew Rhys plays the tagalong reporter hoping to impress his faithless fiancée.

Doc Martin tells the tale of Martin Clunes' character in the film, in the months leading up to the Saving Grace story. Martin Bamford is a heart-broken London obstetrician, in a jealous rage after he finds out that his wife has been sleeping with three of his buddies. He escapes to a small Cornish fishing village, which he grows surprisingly attached to, and is extremely reluctant to return with his cheating wife when she comes to pick him up. Although he has only been looking for a week's R & R, Dr Bamford stumbles across a network of secrets in the village of Port Isaac, and finds himself embroiled in the most exciting scandal the village has seen for centuries.

A distinguished military leader whose reign was touched by great scandal, shocking betrayals and rousing victories. A simple shepherd boy chosen to be king, under the watchful eyes of prophet Samuel.

Poetic biography of author Antoine de Saint-Exupéry.

Emma Woodhouse has a rigid sense of propriety as regards matrimonial alliances. Unfortunately she insists on matchmaking for her less forceful friend, Harriet, and so causes her to come to grief. Through the sharp words of Mr. Knightley, and the example of the opinionated Mrs. Elton, someone not unlike herself, Emma's attitudes begin to soften.