Morena Terranova

参加作品

About Last Year
Editor
The outskirts of Turin. Celeste, Giorgia and Letizia are three young women as different as they come, but all are linked by a common element: as cisgender women, they are guests in the ballroom scene. A subculture originally born within the African American and Latine LGBTQ community of New York, it is now quite present in Italy as well. It is precisely here that the three women have found a safe space where they can be masters of their own bodies without judgement, prejudices, or provocation. They are about to embark on a journey that will make them grow up and reflect on choices they must make for themselves: while Giorgia is increasingly rooted to her city, Celeste and Letizia are preparing to leave. A year-long coming-of-age story that uncovers dreams, desires, doubts, and the will to fight and to keep on living.
About Last Year
Writer
The outskirts of Turin. Celeste, Giorgia and Letizia are three young women as different as they come, but all are linked by a common element: as cisgender women, they are guests in the ballroom scene. A subculture originally born within the African American and Latine LGBTQ community of New York, it is now quite present in Italy as well. It is precisely here that the three women have found a safe space where they can be masters of their own bodies without judgement, prejudices, or provocation. They are about to embark on a journey that will make them grow up and reflect on choices they must make for themselves: while Giorgia is increasingly rooted to her city, Celeste and Letizia are preparing to leave. A year-long coming-of-age story that uncovers dreams, desires, doubts, and the will to fight and to keep on living.
About Last Year
Director
The outskirts of Turin. Celeste, Giorgia and Letizia are three young women as different as they come, but all are linked by a common element: as cisgender women, they are guests in the ballroom scene. A subculture originally born within the African American and Latine LGBTQ community of New York, it is now quite present in Italy as well. It is precisely here that the three women have found a safe space where they can be masters of their own bodies without judgement, prejudices, or provocation. They are about to embark on a journey that will make them grow up and reflect on choices they must make for themselves: while Giorgia is increasingly rooted to her city, Celeste and Letizia are preparing to leave. A year-long coming-of-age story that uncovers dreams, desires, doubts, and the will to fight and to keep on living.
The Stonebreaker
Assistant Editor
After a serious accident Giuseppe is out of work. His son Antò dreams of being an archaeologist and thinks his father's glass eye is a sign he has superpowers. It's just the two of them now, since their beloved wife and mother Angela collapsed and died while working in the fields. Now they've lost their home, too, and have taken shelter in a tent city with other seasonal workers. Through all this, Giuseppe still summons up the strength to hug his son every night and tell him a story. He's promised Antò he will have his mother back, one day, and will do anything to keep his promise.
ミス・マルクス
Assistant Editor
1883年、イギリス。最愛の父カールを失ったエリノア・マルクスは劇作家、社会主義者のエドワード・エイヴリングと出会い恋に落ちるが、不実なエイヴリングへの献身的な愛は、次第に彼女の心を蝕んでいく。社会主義とフェミニズムを結びつけた草分けの一人として時代を先駆けながら、エイヴリングへの愛と政治的信念の間で引き裂かれていくエリノアの孤独な魂の叫びが、時代を越えて激しいパンクロックの響きに乗せて現代に甦る。