Freyja, who is twenty-seven, comes to the capital from a provincial village. Freyja is commissioned to do research for a film about Margareta Glas-Larsson (78) and Emil Ostermann (93). The encounter with these people who were both persecuted during the National-Socialist period - Emil was able to escape, Margareta was deported to Auschwitz - causes Freyja to delve into her own past - a confrontation with life and death.
Freyja, who is twenty-seven, comes to the capital from a provincial village. Freyja is commissioned to do research for a film about Margareta Glas-Larsson (78) and Emil Ostermann (93). The encounter with these people who were both persecuted during the National-Socialist period - Emil was able to escape, Margareta was deported to Auschwitz - causes Freyja to delve into her own past - a confrontation with life and death.
A triangle story. First of all, there's Daisy, the stunning transvestite, looking for his own identity. Then, Hurry Up, the communication streaker on roller skates, moving just to keep moving, unable to sleep and rest, driven by the wish to incite discussions or feelings. And here is Mickey, the pub journalist who believes in social climbing and goes to pieces because of it. In order to make his life bearable, he runs away to the infantile world of Mickey Mouse...
A triangle story. First of all, there's Daisy, the stunning transvestite, looking for his own identity. Then, Hurry Up, the communication streaker on roller skates, moving just to keep moving, unable to sleep and rest, driven by the wish to incite discussions or feelings. And here is Mickey, the pub journalist who believes in social climbing and goes to pieces because of it. In order to make his life bearable, he runs away to the infantile world of Mickey Mouse...
Bernhard Frankfurter, a young Austrian filmmaker, follows the trails and roots of several German-speaking filmmakers who had been forced into exil by Hitler faschism. He interviewed prominent and less well-known artists who were forced to leave their (artistic) heimat because they were politically or racially no longer "acceptable"...
A documentary film in which the personal commitment of the filmmaker is purposely brought to the attention of the viewer.
Bernhard Frankfurter, a young Austrian filmmaker, follows the trails and roots of several German-speaking filmmakers who had been forced into exil by Hitler faschism. He interviewed prominent and less well-known artists who were forced to leave their (artistic) heimat because they were politically or racially no longer "acceptable"...
A documentary film in which the personal commitment of the filmmaker is purposely brought to the attention of the viewer.
