Francesco Lorusso

参加作品

IO|OI
Editor
How can a person change the world around them? Art is one of the most important tools that human beings have at their disposal to change thought, to move what seems to be sedimented and fixed. In IO|OI, with a play of exchanges and reflections, a person and their creation dance together. The work of art and its creator guide each other step by step, exchanging parts and leaving behind more questions than answers, one above all: are we the creation or the creator?
IO|OI
Screenplay
How can a person change the world around them? Art is one of the most important tools that human beings have at their disposal to change thought, to move what seems to be sedimented and fixed. In IO|OI, with a play of exchanges and reflections, a person and their creation dance together. The work of art and its creator guide each other step by step, exchanging parts and leaving behind more questions than answers, one above all: are we the creation or the creator?
IO|OI
Director
How can a person change the world around them? Art is one of the most important tools that human beings have at their disposal to change thought, to move what seems to be sedimented and fixed. In IO|OI, with a play of exchanges and reflections, a person and their creation dance together. The work of art and its creator guide each other step by step, exchanging parts and leaving behind more questions than answers, one above all: are we the creation or the creator?
Wavesland
Director
After the disappearance of a boy lost in a storm, authorities decide to stop the searches, but his friends strive to find him.
Men Are Hungry Too
Director of Photography
A tale of poverty in Salento during the 60s and 70s.
Men Are Hungry Too
Screenplay
A tale of poverty in Salento during the 60s and 70s.
Men Are Hungry Too
Script
A tale of poverty in Salento during the 60s and 70s.
Men Are Hungry Too
Director
A tale of poverty in Salento during the 60s and 70s.
Unfiltered Southerners
A Donatello award nominated short film about two brothers travelling with their elderly father to a wedding. En route, old grudges rear their ugly head and neither realises just how poorly their father has become.
Go, Friend, Go
Director
On the dock at the port of Patras, Greece, we observe merchant ships docked in the roadstead. This is the first stop on the so-called "Balkan route," traveled each year by thousands of people fleeing Middle Eastern countries to reach the heart of Europe: these are men and women who cross forests, mountains, rivers, and fields on foot. More often than not, when they are stopped by border police, they are sent back to their point of departure. It is what some of them call "the game." Translated with www.DeepL.com/Translator (free version)