Maria Vinogradova

A feature-length documentary film dedicated to the life of the modern Bolshoi Theatre.

Iconic Bolshoi production born in 1968 returns to cinema for its 2021/22 season. In Imperial Rome, Spartacus and his wife Phrygia are reduced to slavery and separated, but his love for her will lead him to revolt against the Roman army.

Raymonda is betrothed to Jean de Brienne, a gallant knight who pledged to go on a crusade led by the King of Hungary. When her beloved leaves, Abderakhman, a foreign knight, makes a bid for the hand of Raymonda and threatens her fate when she rejects him…

Traveling through Egypt in the 19th century, a Englishman falls asleep inside a pyramid and travels back in time to the days of the pharaohs, where he immediately falls in love with the daughter of the ruler.

George Balanchine's jewel-themed triptych, strikingly choreographed to the music of Faure, Stravinsky and Tchaikovsky. This three act masterpiece is renowned as the world's first full-length abstract ballet. The Russian-born co-founder of the New York City Ballet, Balanchine was inspired by the artistry of jewellery designer Claude Arpels to create a trio of distinct movements revealing the essence of each precious stone. Each part also evokes three different cities: Paris, New York and St. Petersburg. 'Emeralds' was conceived as a tribute to the French romantic school, with music by Gabriel Faure. The fiery and energetic 'Rubies' taps into the rich tradition of Broadway musicals, with music by Stravinsky. 'Diamonds' honours the grandeur of Imperial Russia and the Maryinsky Theater, choreographed to the music of Tchaikovsky. With its jewel-like costumes, this is a celebration of the influences on the choreographer who was described as the father of American ballet.

Inspired by Lord Byron’s epic poem, this jewel of the repertoire boasts a lavish production complete with a shipwreck, pirates, and some of ballet’s most renowned scenes.

La Esmeralda is a ballet in three acts and five scenes, inspired by the novel Notre-Dame de Paris by Victor Hugo, originally choreographed by Jules Perrot to music by Cesare Pugni, with sets by William Grieve and costumes by Mme. Copère.

Learning that Albrecht, her beloved, is in fact a nobleman engaged to be married to a princess, the naive peasant girl Giselle dies. The Queen of the Wilis—the spirits of deceased young virgins—decides that Albrecht should follow Giselle to the grave, and condemns him to dance until he dies of exhaustion. But Giselle’s spirit dances with him and saves him. With music by Adolphe Adam and a libretto by Théophile Gautier and Jules-Henri Vernoy de Saint-Georges, the ballet touches on the great romantic themes: local colour, a pastoral love affair doomed to end in tragedy, a plunge into fantasy and redemption through the power of love.