Klāvs Siliņš

Six theater and hip hop teachers take on a five month challenge to show the Latvian public that young men behind bars are more than just that. While seeming impatient, full of disbelief and even rude at first, it turns out to be a superficial impression given off by their masks that must be kept on at all time as an underage colony is a difficult place to be. It has its own rules and it’s not easy being creative there. Teachers help inmates reveal the talents within them that help transcending the monotony of the prison walls.

The film tells about an active senior, Mārtiņš Ziebergs (65), who is spending his old days and retirement looking for lost people; there are hundreds of them in Latvia. Following his activities, the film discloses both the everyday routine of the senior – life of “a detective” and process of investigation – as well as the outcome of it – unexpected reunions of the ones who have been searching for each other for years and also unmade reunions or cases never solved.

Imagine centuries ago several witches huddled around a steaming cauldron, gleefully consigning offensive items to the foul-smelling brew. Maggots, worms, snails – who knows what else? Perhaps unbelievable, but it did help. This is a story about people who practice their own way of feeling fit and happy. A hunter is convinced that beaver glands offer a unique remedy against various ailments. Herbal teas, picked at the right time, can perform miracles! Many shrink away from bees, but bees can bring relief. All good and simple things, forgotten in the rush of the 21st century.

A father who has just been released from prison strives to reconnect with his son. Good intentions are hindered by unexpected obstacles. An unforgettable day spent by the two together might turn into the very last day for one of them.

A film examining the game of doubles of democracy and capitalism since the restoration of independence in Latvia. Freedom from the USSR, pilfering the state, victory in Eurovision, joining the EU and NATO, the greatest crisis in the world – a quarter century of contrast and challenges.

After receiving an edict from the municipal authorities about the closing of their school, the students at Mežvidi primary school continue to attend lessons and exercise creativity and fun, but it’s all clouded in a sense of fatality. They aren’t many students, and because of that the school resembles a large family rather than an institution. Near the Russian border, deep in the Latgale region, this place will become a nowhere-land once the youth depart. In an intimate message about a national problem, the story focuses on three sisters for whom life is about to drastically change. Through their daily lives and small adventures we try to understand the real meaning of the contention that “the countryside is dying”. And we see hope.

Vija Celmiņš – Latvian-American painter and graphic artist, who has gained international recognition thanks to her special signature – reproductions of endless expanses (the sea, sky, desert). Her works have been included in the most significant modern art collections and displayed in retrospectives the world over. For the filmmakers, visiting Vija Celmiņš in New York was a rare opportunity to come in close proximity to this artist’s creative process and unique personality.

Four pals are hoping to become athletes and to get a spot in the Sports' Academy. The guys need to convince an Olympic coach first that they're worth it - which turns out to be a tricky task.

Three young men head to an isolated country house to shoot a film that they hope will bring them fame. They have no experience, but possess the will to change their lives. They make various attempts, but none seem to work. The team comes to a creative impasse, but the stakes are too high to give up. In hopes of drawing out their talents, they spend more and more time chipping away at each other. Previously hidden character traits come to light further complicating their relationship and the making of the film. Soon it's each man for himself. Just when the experiment seems utterly failed, one of them is discovered dead. It's not clear whether it's accidental, suicide or murder, but a real body in the scene satisfies - this could be the start of The Film.

A documentary about the band of Latvian exhile musicians, "Čikāgas piecīši".

A former actor is fascinated by an idea. He meets a scientist, a speech therapist, and a juggler, and convinces them to stage Endgame by Samuel Beckett. They believe that Beckett’s play about four people trapped in a world that is about to collapse describes the situation in which they find themselves in.

Gutenmorgen is an eccentric family man who tends to see his life in bright colours. In order to improve his failing eyesight, Gutenmorgen decides to open a third eye. Gutenmorgen begins mediating with a self-proclaimed guru and hopes that this unconventional activity will make his family and friends appreciate him just a little bit more.

Dagne, her husband and teenage daughter live in a peaceful Latvian countryside. While everyone is busy with their own thing, the family ties are loosening. Dagne is diagnosed with slowly progressing deafness. Acceptance of the new situation and the need to adapt to new ways of communication, including learning sign language, is not easy for neither of them. Dagne feels left alone and not supported during this hard time of her life her. Her daughter is very busy with her music band and preparation for an upcoming contest. Her husband is occupied with work at the farm. Even simple daily things become complicated, impossible and emotionally hard.

A documentary about two 13-year-old girls, both obsessed with fashion and developing their personal style. One of the girls lives in a small town in Latvia, the other one - in Norway. How do their surroundings influence their acts of self-expression? And how do their mothers cope with the idea that their little daughters are becoming adults?

The story of young lives in the young offenders unit in Cēsis, Latvia. A place governed by its own codes and order, where unwritten rules are more powerful than the written word. In the making of the film, the production team witnessed a gamut of attitudes and emotions. Much can be understood from the youths’ gestures, facial expressions and from their actions. Secretive and uncommunicative, they are victims, yet perpetrators of crime. But, also still children.

Regularly hanging upside-down improves one’s sex life, while loss of consciousness should be used for self-development. These are views expressed by those who Vilhelms meet one evening on the way to work as night-watchman. But the reserved, worry-ridden young man goes on a radically different path to change his life.

He lives and works in a world that contains only him, or so he thinks. Each day is spent exactly in the same way, stamping boxes, not asking where they come from or where they go. But an unexpected guest’s sudden arrival leads to a dangerous discovery – perhaps outside of his small world there is something more?