Alan Martín Segal

F begins to follow two young anarchists who sporty usurp abandoned commercial storefronts and apartments. These three strangers will become closer after subtle acts of trespassing and sporadic forays into civil disobedience. The longing for exile and the fantasy that a promising future is somewhere else contaminates F. The city is immersed in an eternal holding pattern, becoming into a singular artifact, as melancholy as uncanny.

F begins to follow two young anarchists who sporty usurp abandoned commercial storefronts and apartments. These three strangers will become closer after subtle acts of trespassing and sporadic forays into civil disobedience. The longing for exile and the fantasy that a promising future is somewhere else contaminates F. The city is immersed in an eternal holding pattern, becoming into a singular artifact, as melancholy as uncanny.

F begins to follow two young anarchists who sporty usurp abandoned commercial storefronts and apartments. These three strangers will become closer after subtle acts of trespassing and sporadic forays into civil disobedience. The longing for exile and the fantasy that a promising future is somewhere else contaminates F. The city is immersed in an eternal holding pattern, becoming into a singular artifact, as melancholy as uncanny.

F begins to follow two young anarchists who sporty usurp abandoned commercial storefronts and apartments. These three strangers will become closer after subtle acts of trespassing and sporadic forays into civil disobedience. The longing for exile and the fantasy that a promising future is somewhere else contaminates F. The city is immersed in an eternal holding pattern, becoming into a singular artifact, as melancholy as uncanny.

Using personal correspondence and some passages from Ezequiel Martínez Estrada’s The Head of Goliath, as well as recreations with paper models and minor acts of architectural preservation, Incomplete Disappearance presents a series of simulations through which an identity crisis is (temporarily) avoided.

Using personal correspondence and some passages from Ezequiel Martínez Estrada’s The Head of Goliath, as well as recreations with paper models and minor acts of architectural preservation, Incomplete Disappearance presents a series of simulations through which an identity crisis is (temporarily) avoided.

Using personal correspondence and some passages from Ezequiel Martínez Estrada’s The Head of Goliath, as well as recreations with paper models and minor acts of architectural preservation, Incomplete Disappearance presents a series of simulations through which an identity crisis is (temporarily) avoided.

Using personal correspondence and some passages from Ezequiel Martínez Estrada’s The Head of Goliath, as well as recreations with paper models and minor acts of architectural preservation, Incomplete Disappearance presents a series of simulations through which an identity crisis is (temporarily) avoided.