"Betye Saar: Drifting Toward Twilight" covers renowned American artist Betye Saar’s large-scale work “Drifting Toward Twilight”—recently commissioned by The Huntington— a site-specific installation that features a 17-foot-long vintage wooden canoe and found objects, including birdcages, antlers, and natural materials harvested by Saar from The Huntington’s grounds. This film captures the artist's process in preparation for her upcoming exhibition, while also homaging Betye's life and work throughout her career. We are producing this project in collaboration with Betye's studio, Roberts Project, and Sola Saar Augusston, granddaughter of Betye and co-curator of the exhibit for the Huntington Museum. It will be exhibited in an annex next to the artist's piece within the Huntington's Virginia Steele Scott Galleries of American Art.
"Betye Saar: Drifting Toward Twilight" covers renowned American artist Betye Saar’s large-scale work “Drifting Toward Twilight”—recently commissioned by The Huntington— a site-specific installation that features a 17-foot-long vintage wooden canoe and found objects, including birdcages, antlers, and natural materials harvested by Saar from The Huntington’s grounds. This film captures the artist's process in preparation for her upcoming exhibition, while also homaging Betye's life and work throughout her career. We are producing this project in collaboration with Betye's studio, Roberts Project, and Sola Saar Augusston, granddaughter of Betye and co-curator of the exhibit for the Huntington Museum. It will be exhibited in an annex next to the artist's piece within the Huntington's Virginia Steele Scott Galleries of American Art.
An introduction to the work of some of the foremost Black visual artists working today, inspired by the late David Driskell's landmark 1976 exhibition, "Two Centuries of Black American Art."
Betye Saar’s film Colored Spade is an assemblage of derogatory images gradually replaced with depictions of African-American power and solidarity. The film explores Saar’s interest in deconstructing historical and political narratives through the use of symbolism within found imagery.
Betye Saar’s film Colored Spade is an assemblage of derogatory images gradually replaced with depictions of African-American power and solidarity. The film explores Saar’s interest in deconstructing historical and political narratives through the use of symbolism within found imagery.
