Elad Davidovitch Schicowich
Cinematography
A week before Independence Day, Elad’s entire world is falling apart. A breakup urges him to move out and find a new place, On the balcony above “Occupiers Street,” While confronting traumatic memories from his past, He seeks to reconnect with the people close to him And with those observed who remain somehow distant. Feeling socially invisible, On the most patriotic week of the year, His feelings of guilt and social isolation reach a climax.
Writer
A week before Independence Day, Elad’s entire world is falling apart. A breakup urges him to move out and find a new place, On the balcony above “Occupiers Street,” While confronting traumatic memories from his past, He seeks to reconnect with the people close to him And with those observed who remain somehow distant. Feeling socially invisible, On the most patriotic week of the year, His feelings of guilt and social isolation reach a climax.
Editor
A week before Independence Day, Elad’s entire world is falling apart. A breakup urges him to move out and find a new place, On the balcony above “Occupiers Street,” While confronting traumatic memories from his past, He seeks to reconnect with the people close to him And with those observed who remain somehow distant. Feeling socially invisible, On the most patriotic week of the year, His feelings of guilt and social isolation reach a climax.
Producer
A week before Independence Day, Elad’s entire world is falling apart. A breakup urges him to move out and find a new place, On the balcony above “Occupiers Street,” While confronting traumatic memories from his past, He seeks to reconnect with the people close to him And with those observed who remain somehow distant. Feeling socially invisible, On the most patriotic week of the year, His feelings of guilt and social isolation reach a climax.
Director
A week before Independence Day, Elad’s entire world is falling apart. A breakup urges him to move out and find a new place, On the balcony above “Occupiers Street,” While confronting traumatic memories from his past, He seeks to reconnect with the people close to him And with those observed who remain somehow distant. Feeling socially invisible, On the most patriotic week of the year, His feelings of guilt and social isolation reach a climax.
A week before Independence Day, Elad’s entire world is falling apart. A breakup urges him to move out and find a new place, On the balcony above “Occupiers Street,” While confronting traumatic memories from his past, He seeks to reconnect with the people close to him And with those observed who remain somehow distant. Feeling socially invisible, On the most patriotic week of the year, His feelings of guilt and social isolation reach a climax.
Editor
Jonathan Agassi is a superstar in the world of gay porn. He lives the wild life in Berlin and Tel Aviv, where he works in films and live shows and has a second job as an escort. Sex, drugs and rock 'n' roll – and all of it in large quantities. But the industry is tough, and behind the confident smile is an insecure boy with an absent father and a very close relationship to his broad-minded mother. The contrast to the superficial success grows and grows, but in the world of porn there is no room for crises. Here, you must deliver the goods, every single time – and every single day. Otherwise you are done. The identity crisis is smouldering, Agassi is floundering and drugs become tempting as an easy way out. But how long can he hold onto himself? Over the course of eight years, and with much mutual trust, the director Tomer Heymann has followed Agassi right up to the culmination of his life's biggest crisis.