Newsha Tavakolian

参加作品

For the Sake of Calmness
Screenplay
How does one visualise an amorphous idea, one that has become abstract to the point of obscurity? Landscape, real and imagined, provides the backdrop for a visual narrative, while sound, intertwined with a self-narrated monologue, adds a third dimension to this specific portrayal. Newsha Tavakolian is detached from the real world and yet achingly affected by it. An experimental take on a reality intensified by the emotional flare of PMS (Premenstrual Syndrome).
For the Sake of Calmness
Producer
How does one visualise an amorphous idea, one that has become abstract to the point of obscurity? Landscape, real and imagined, provides the backdrop for a visual narrative, while sound, intertwined with a self-narrated monologue, adds a third dimension to this specific portrayal. Newsha Tavakolian is detached from the real world and yet achingly affected by it. An experimental take on a reality intensified by the emotional flare of PMS (Premenstrual Syndrome).
For the Sake of Calmness
Director
How does one visualise an amorphous idea, one that has become abstract to the point of obscurity? Landscape, real and imagined, provides the backdrop for a visual narrative, while sound, intertwined with a self-narrated monologue, adds a third dimension to this specific portrayal. Newsha Tavakolian is detached from the real world and yet achingly affected by it. An experimental take on a reality intensified by the emotional flare of PMS (Premenstrual Syndrome).
Somayeh
Director
From the series Blank Pages edition 3, Somayeh is shot in Tehran, holding still in her natural environment