Otto Erdmann

出生 : 1898-11-16, Berlin, Germany

死亡 : 1965-01-23

参加作品

Auf Wiedersehen
Production Design
The Return of Dr. Mabuse
Production Design
The supposedly dead and buried Mabuse returns to his criminal activities, as his longtime foe Police Inspector Lohmann, a dauntless girl reporter, and an American - who may be an FBI agent, or maybe a Chicago mobster - investigate a series of gruesome murders connected to a maximum security prison and involving a minister who has written a book called "The Anatomy Of The Devil".
Punishment Battalion
Production Design
The film focuses on life in a World War II German penal battalion camp somewhere in Russia. The convicts include a heroic doctor unjustly convicted of avoiding military service, an officer who retreated against orders, and common criminals. It shows their life in the camp, clearing mines, living in trenches on the front line.
The Black Chapel
Art Direction
1933 in Germany. The rise of Nazism fears war and some officers, concerned the fate that hostilities would reserve to their country, organize an anti-Nazi group. They send a reporter, Golder, to communicate the plan of the German offensive allies.
Ernst Thälmann – Son of the Working Class
Production Design
This film is the first of a two-part historical and biographical portrait of the communist politician and anti-fascist Ernst Thälmann. In early November 1918, Ernst Thälmann is an unwilling soldier serving on the western front. As the revolutionary movement at home is threatened by the betrayal of the Social Democrats and fissures in the working class, Thälmann calls on his fellow soldiers to put down their weapons and unite with the workers in the communist struggle at home. Thälmann’s qualms about which side he is fighting on continue, but when the local police attempt to prevent a shipment of provisions and supplies from reaching the people in Petrograd, he intervenes and the ship is unloaded. With this moment of clarity, Thälmann continues to follow his political convictions and joins the workers at the Hamburg uprising in October 1923.
The Merry Wives of Windsor
Production Design
For the corpulent nobleman Sir John Falstaff, the inn in the small English town of Windsor is the best of all places. Here he can indulge in excessive dining and intemperate drinking, as well as swagger and boast about his adventures, particularly those of an amorous nature. At present, he has designs on the two young women, Mistress Reich and Fluth, who, in turn, lead the paunchy protagonist mightily by the nose.
Marriage in the Shadows
Production Design
Set during the rise of the Nazi regime, Elisabeth Maurer and Hans Wieland enjoy successful careers as actors in Berlin. Confident in her career, Elisabeth, who is Jewish, ignores the advice of a colleague to leave Germany in the face of increasing anti-Semitism. Believing that he can protect her if she becomes his wife, Hans convinces Elisabeth to marry him. In the following years, as Hans's career thrives, Elisabeth awaits the end of the Nazi terror which bars her from public life. When the situation worsens in 1938 with the Kristallnacht pogrom, Elisabeth decides to leave the country, but Hans, who still believes he can protect her, convinces her to stay with him.
Kein Platz für Liebe
Set Designer
My Life for Ireland
Art Direction
A Nazi propaganda movie from 1941 directed by Max W. Kimmich, covering a story of Irish heroism and martyrdom over two generations under the occupation of the British.
The Fox of Glenarvon
Production Design
An English peace judge in an Irish district is married to an Irishwoman. She is a caring patriot. He is heavily indebted by a life of luxury, and doesn't shy away from dark deeds to maintain his lifestyle. Anti-Britsh propaganda film.
Fridericus
Production Design
In 18th century Europe, King Friedrich II of Prussia leads his army through the seven-years-war with neighboring states, and after numerous near defeats, eventually brings a victorious army back to Berlin.
Inge and the Millions
Production Design
A well scripted and captivating thriller about the owners of a small private bank in Berlin, squeezing money out of honest business firms, causing their bankruptcies, and then trying to smuggle the cash into Switzerland.
A Certain Mr. Gran
Production Design
Madame Wants No Children
Art Direction
Should We Wed Them?
Production Design
Professor Bock is to inaugurate the museum, the construction of which was donated by a generous patron who remains anonymous. He learns that it is his brother's wife, a former dancer, and whom he hates. But her daughter falls in love with Jim, the son of the ex-dancer, and everything will work out.
The Scoundrel
Production Design
The mute of Portici
Production Design
The Great Longing
Art Direction
During lunch break at the movie studio, the extras rush to the canteen Hans Adalbert Schlettow, Maria Paudler and Luis Trenker are chatting. Eva von Loe a beautiful young extra rushes past; she is looking for her fiancé, Paul Wessel, who is also an extra. She has to return to the set where the famous director Regisseur Hall is shooting a scen. He is dissatisfied with his star, Carla Marventa, who is wrong for the scene he must photograph. Hall notices Eva, but laughs at her desire to replace Marventa. At that moment Conrad Veidt comes on the scene and assumes that Eva is the star.
Alraune
Art Direction
A scientist, Professor Jakob ten Brinken, interested in the laws of heredity, impregnates a prostitute in a laboratory with the semen of a hanged murderer. The prostitute conceives a female child who has no concept of love, whom the professor adopts. The girl, Alraune, suffers from obsessive sexuality and perverse relationships throughout her life. She learns of her unnatural origins and she avenges herself against the professor.
The Adjutant of the Czar
Art Direction
Drama of plot and intrigue in Imperial Russia.
邪道
Art Direction
Neglected by her husband, an ambitious lawyer, Irene seeks variety in Berlin's nightlife-- An evening of dancing, dolls, cocaine and immoral passion. Irene takes the "devious path" as she seeks to make her husband jealous.
Das Karussell des Todes
Art Direction
a silent movie by Heinz Paul
喜びなき街
Production Design
In 1921, we follow two women - Marie and Grete - from the same poor Viennese neighborhood, as they try to better the lives of themselves and their families during the period of Austrian postwar hyperinflation.