A spate of robberies in Southern California schools had an oddly specific target: tubas. In this work of creative nonfiction, d/Deaf first-time feature director Alison O’Daniel presents the impact of these crimes from an unexpected angle. The film unfolds mimicking a game of telephone, where sound’s feeble transmissibility is proven as the story bends and weaves to human interpretation and miscommunication. The result is a stunning contribution to cinematic language. O’Daniel has developed a syntax of deafness that offers a complex, overlaid, surprising new texture, which offers a dimensional experience of deafness and reorients the audience auditorily in an unfamiliar and exhilarating way.
17 year old Sparkle discovers a free spirited group of Soca dancers at a car show in the bustling streets of downtown Trinidad. Enamored by the glimpse of sisterhood, she uses her wit to convince them to take her under their wing. The women bring Sparkle into a dizzying nightlife of partying, glamour, and money, but as things spiral out of control, Sparkle is forced to make some tough decisions.
A young woman wakes in the dead of night to a world devoid of sound. Yet, through the silence, she hears a mysterious call which draws her deep into the dark woods.
Set in the 1960s Brooklyn among a conservative Syrian Jewish community, Extra Innings tells the tale of a young baseball enthusiast, David Sabah, and his trials through family dismay and loss.
