Ysé Tran

French independent director Paul Vecchiali playfully bites the hand that periodically feeds him (and many of the nation's other creative filmmakers) in this dark comedy. Writer and director Vecchiali stars as a moviemaker named Paul Vecchiali, who is trying to complete his latest project, a dramatic love story about a young couple whose relationship is complicated by the man's addiction to drugs. Short on funds, Vecchiali approaches the National Cinema Center, who offer loans and grants to independent filmmakers whom they believe are deserving. The NCC is less than impressed with Vecchiali's latest script, and they turn him down, just as they have done a number of times in the past. Angry and determined that the NCC will never break the spirit of another director, Vecchiali and his crew block out a plan to assassinate the nine members of the funding board, though the press and public seem more bemused than outraged by the sudden rash of killings.

The title reflects the brand of a financial institution, the bank of the Saltim family: Frederic, the younger brother, runs the family bank; his brother Bruno rejected the position of executive director, and chose to fund a theatrical company. Around them, there is a net of family members, friends, and acquaintances who seem to swirl around the banking brothers. Frederic and Bruno are both trying to control the future of their beautiful niece, Vanessa. The coffee shop owners Eve and Jim complicate everybody's life with their intrigues and lies. A strange stage director comes from his foreign exile. And lack of funds suddenly reveals the true colors of everyone - in banking, on stage, and everywhere.

Thirty-year-old Alexis is a retarded teenager and has no desire to commit himself either professionally or romantically. He succumbs to the charm of Laura who uses her diabolical gifts to push him to work, marry him and have children.

The guests of the Station Hotel have assembled to play a game of cards. The loser will sleep in room 207, a room rumored to be haunted. It hasn't been slept in for 20 years. As their lives tangle in a paranoid deadlock, the only escape becomes murder.

A priceless statuette "Dancing God" is transfered from Africa to France. Scoundrels of all stripes are dreaming of steeling it. The most clever of them are trying to replace the original with the copy. Chases, adventures, breathtaking stunts, shootouts - life is not worth a penny, when the priceless treasure is on stake.

It is due to some professional obligations that brothers Charles and Fredi turn their attention to theater. Charles, an actor does not want Fredi to write a book on him.

A sleazy Paris nightclub owner and ex-detective flies to Hong Kong to rescue the young son of a friend murdered by the Chinese mob.

A teen party gone out of control provides the focus of this drama which explores the transitions of youth in a transitional time set in the post-disco, pre-punk, early 1980's. Ariane, a teenager, is rebelling against her father and her boyfriend Pierre. She decides to hold a small party. The party is crashed by a large crowd of rude outsiders who proceed to destroy her home. Afterward, Ariane must face her obsessive neatness.

In 1980s Paris, a series of murders captures public attention. Meanwhile, the gorgeous Daiga moves from Lithuania to Paris, immigrant musician Théo struggles to raise his young son, and Théo's brother, a gay transvestite named Camille, sings and dances in a cabaret for a living. All three grapple with isolation and the problems of modern living, but one of them could be so desperately alienated that they have a hand in the serial murders.

ナイジェルとフィオナは、夫婦の愛を確認する為にイスタンブール行きの豪華なクルーザーによる旅に出掛ける。そこでナイジェルは車椅子のオスカーと知り合う。パリに住む作家オスカーはナイジェルに、自分の妻であるミミとの関係を聞かれるともなく語り出す……。

A European man sets up a business in Korea to deal in snuff films. The police quickly catch on to his dealings and attempt to hunt him down.

Mathieu is called on by the French government to investigate murders in the Asian community of Paris. With Chinese and Vietnamese engaged in a bloody slaughterfest, the key to the mystery lies with the orphan girl who Mathieu helped to escape during the fall of Saigon in 1975. Now a beautiful young woman, Mathieu is reunited ten years later with the refugee, and together they attempt to solve the case. He uncovers a CIA plot that has carried over from the last days of the Vietnam War and that is related to the Paris murders.