Art Direction
Building is Howard's passion, and he is so absorbed in his plans to build an elaborate resort in the Blue Mountains of Australia that he ignores certain obvious signals that his business partner is not entirely on the up-and-up. After a brush fire destroys the resort, an insurance investigator comes nosing around, whom Howard's partner deals with in a drastic manner. By the time Lloyds of London's senior investigator George Engels (James Mason in one of his last roles) arrives on the scene, Howard (Tom Skerritt) is anxious to set things to rights.
Production Design
Building is Howard's passion, and he is so absorbed in his plans to build an elaborate resort in the Blue Mountains of Australia that he ignores certain obvious signals that his business partner is not entirely on the up-and-up. After a brush fire destroys the resort, an insurance investigator comes nosing around, whom Howard's partner deals with in a drastic manner. By the time Lloyds of London's senior investigator George Engels (James Mason in one of his last roles) arrives on the scene, Howard (Tom Skerritt) is anxious to set things to rights.
Production Design
On her 16th birthday, Alison Findlay and two of her friends make contact with a spirit, who warns Alison of impending doom on her 19th birthday. Three years later, on the eve of turning 19, Alison returns home and makes a strange discovery in her family's backyard.
Special Effects
Australian lawyer David Burton agrees with reluctance to defend a group of Aboriginal people charged with murdering one of their own. He suspects the victim was targeted for violating a tribal taboo, but the defendants deny any tribal association. Burton, plagued by apocalyptic visions of water, slowly realizes danger may come from his own involvement with the Aboriginal people and their prophecies.
