Rikurô Miyai

参加作品

パーティ
Director
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クレイジー ラブ
Correlated with Susan Sontag's theorization of kitsch as well as employing the queer lingo of "camp," this film's relentless equal opportunity pop-art montage shattered the foundations of conventional cinema, making it a true document of the Shinjuku underground scene. Director Okabe himself appears recreating his favorite roles from Bonnie and Clyde to Spaghetti Westerns, as well as incorporating quotations by inserting stills of Godard, Kennedy’s assassination and the Vietnam War.
シャドウ
Director
In Shadow (1968), Rikuro Miyai projects two films of his own shadow walking outdoors side-by-side—one positive, one negative—each a reflection of the other.
Phenomenology of Zeitgeist
Director
Miyai layers ghostlike footage of unauthorized street performances in the Shinjuko district of Tokyo with color filters and lights.