Cinematography
This improv, art film was initially going to be about movement, then It became a documentary about 5 girls in Tokyo, and my travel experiences in Japan, then it evolved into an inside joke about the film, Lost In Translation. Everything in this film from the cinematography, the film editing, the sound, and every photograph was done by one man with one camera.
Editor
This improv, art film was initially going to be about movement, then It became a documentary about 5 girls in Tokyo, and my travel experiences in Japan, then it evolved into an inside joke about the film, Lost In Translation. Everything in this film from the cinematography, the film editing, the sound, and every photograph was done by one man with one camera.
Director
This improv, art film was initially going to be about movement, then It became a documentary about 5 girls in Tokyo, and my travel experiences in Japan, then it evolved into an inside joke about the film, Lost In Translation. Everything in this film from the cinematography, the film editing, the sound, and every photograph was done by one man with one camera.
Producer
This improv, art film was initially going to be about movement, then It became a documentary about 5 girls in Tokyo, and my travel experiences in Japan, then it evolved into an inside joke about the film, Lost In Translation. Everything in this film from the cinematography, the film editing, the sound, and every photograph was done by one man with one camera.
Eadweard
This improv, art film was initially going to be about movement, then It became a documentary about 5 girls in Tokyo, and my travel experiences in Japan, then it evolved into an inside joke about the film, Lost In Translation. Everything in this film from the cinematography, the film editing, the sound, and every photograph was done by one man with one camera.
