Director
[GE, 1626) conducts a mathematics-like exercise and observation. Filmed somewhere in the Chicago landscape, through a meticulous study of sound and speed, it describes a border between industry and nature, subtle and violent.
Director
Sir Georg Solti was a conductor and a long-serving music director for the Chicago Symphony Orchestra. After his death, the city of Chicago built a statue of him in the park outside the Chicago Symphony Orchestra. This work begins with an observation of the statue's right ear and documents the ambient sound of its location.
Director
Manipulation of a fragment from the past. A study and an improvisational description of the “forwardness (of time)." Initially, it suggests a form of development and passage, but the presence of sound, the glass, and its reflections denote a physical separation in the space, alluding to a "preservation" akin to that of a laboratory or an aquarium. Rather than limiting itself to a binary opposition, the work attempts to discuss a perplexity that exists between what can be controlled and what cannot.
Stunt Coordinator
Josh-awan Bulman details some highlights of the Zhuang Alliance Group's Style Guide.
Concept Artist
Josh-awan Bulman details some highlights of the Zhuang Alliance Group's Style Guide.
Zhuang
Josh-awan Bulman details some highlights of the Zhuang Alliance Group's Style Guide.
