Astrid de la Chapelle

参加作品

Corps Samples
Editor
In 1924, a marine crinoid fossil is unearthed near the summit of Mount Everest, a famous British mountaineer disappears and a Soviet leader dies.This simultaneity is the starting point of a narrative on the transformation of matter. In a vast movement, substances metamorphose, scales and temporalities overlap and human bodies nestle in the depths of great terrestrial processes.
Corps Samples
Director of Photography
In 1924, a marine crinoid fossil is unearthed near the summit of Mount Everest, a famous British mountaineer disappears and a Soviet leader dies.This simultaneity is the starting point of a narrative on the transformation of matter. In a vast movement, substances metamorphose, scales and temporalities overlap and human bodies nestle in the depths of great terrestrial processes.
Corps Samples
Writer
In 1924, a marine crinoid fossil is unearthed near the summit of Mount Everest, a famous British mountaineer disappears and a Soviet leader dies.This simultaneity is the starting point of a narrative on the transformation of matter. In a vast movement, substances metamorphose, scales and temporalities overlap and human bodies nestle in the depths of great terrestrial processes.
Corps Samples
Director
In 1924, a marine crinoid fossil is unearthed near the summit of Mount Everest, a famous British mountaineer disappears and a Soviet leader dies.This simultaneity is the starting point of a narrative on the transformation of matter. In a vast movement, substances metamorphose, scales and temporalities overlap and human bodies nestle in the depths of great terrestrial processes.
Affums
Director
Deer in the Windsor garden are attacked by a jaguar. This animal, called “Affums”, was brought back from Patagonia by Lady Florence Dixie, a nineteenth century explorer, journalist and feminist. The film unfolds this anecdote through a variety of different narrative strategies and reconstitutions.