Mama
One day, Plop receives a letter from his grandfather, Kabouter Knap, stating that he is very ill. The only thing that can save him is the juice of the carob root. Before the hourglass is emptied, Grandpa Knap can be saved but there is one big problem: Plops grandfather lives on the other side of the gnome forest. Together with Plop's friends, they build a large balloon, so that they fly to Knap in time. Plop stops the juice of the carob root in a basket of puff cakes to keep it safe. But because Plop is so tired, he sinks down on a chair and falls asleep. The next morning, Smul is extremely hungry and, without realizing it, takes the basket with the plop cakes. Plop does not notice this, because he is still sleeping next to the basket of puff cakes. When Smal starts looking for Smul, the hot air balloon rises, with Plop, Klus, Kwebbel and Lui in it. There starts a dangerous journey..
Solange
Hugo Claus rewrote and directed Friday as the cinematic version of his original 1969 play of the same name. Just as in the play, the story begins with the theme of incest, as the father Georges (Frank Aendenboom) returns from serving his jail sentence for that crime. Unlike the earlier play, however, the film does not emphasize that aspect of the story. When Georges gets home he finds out that his wife Jeanne (Kitty Courbois) has had an illegitimate child by a younger man, Erik (Herbert Flack), and now both of them must somehow try to return to a normal life, given their only too obvious lapses in moral judgment. As the husband and wife try hard to accommodate each other's failings and start to get to know each other again, Erik comes back into the picture. Now the three of them must resolve the deep-seated conflicts that brought them to this emotionally-wrought juncture of love and betrayal.
