Hoho Liu
略歴
Graduating from Taiwan Tamkang University, Hoho Liu is a cinematographer and director of documentaries, and the only female cinematographer in Taiwan to be awarded the Golden Bell Awards. She excels at capturing vivid images and feelings of the characters. Art and aesthetics can be seen at the same time in her style. "Sisters" is her first feature film as a director.
Director of Photography
On Green Island in the 1950s, the female thought prisoners chose to fight for freedom, but were more forcefully suppressed by the authority. They held on to their beliefs and hoping for true freedom to come.
Director
Yu Ting, a 16-year-old high school student, comes home one day to find a "sister" of her age, her cousin from Vietnam, her mother’s hometown. Yu Ting's mother has promised to get the underage girl to work in Taiwan under the disguise of her "adopted" daughter Yu Lan.
Producer
In the summer of 1979, during Taiwan’s martial law period, Bing-Kuan asks her college friend Shu-Lan to help out on her family’s banana plantation. As time goes by, the two girls secretly develop a romantic relationship, and decide to volunteer at the Formosa Magazine in order to promote democratic freedom of expression. Yet their youthful romance is threatened as the Kuomintang regime seeks to suppress dissident voices.
Cinematography
In the summer of 1979, during Taiwan’s martial law period, Bing-Kuan asks her college friend Shu-Lan to help out on her family’s banana plantation. As time goes by, the two girls secretly develop a romantic relationship, and decide to volunteer at the Formosa Magazine in order to promote democratic freedom of expression. Yet their youthful romance is threatened as the Kuomintang regime seeks to suppress dissident voices.
Editor
Androgynous Phoenix Du, the illicit daughter of a presidential candidate, kills the thug who breaks into her apartment to silence her. She comes before prosecutor Jade Liu, guilt-ridden from the suicide of her brother and her strict Catholic upbringing. Before demanding Phoenix’s three-and-a-half years sentence for manslaughter, Jade has a night of passion with her that redirects both their lives. Phoenix writes her hundreds of letters and begs her to wait for her release. In fear of her own desire, Jade marries Meng Ye, the genderless young man she saved from prison who reminds her of her brother…
Director of Photography
Androgynous Phoenix Du, the illicit daughter of a presidential candidate, kills the thug who breaks into her apartment to silence her. She comes before prosecutor Jade Liu, guilt-ridden from the suicide of her brother and her strict Catholic upbringing. Before demanding Phoenix’s three-and-a-half years sentence for manslaughter, Jade has a night of passion with her that redirects both their lives. Phoenix writes her hundreds of letters and begs her to wait for her release. In fear of her own desire, Jade marries Meng Ye, the genderless young man she saved from prison who reminds her of her brother…
Producer
Androgynous Phoenix Du, the illicit daughter of a presidential candidate, kills the thug who breaks into her apartment to silence her. She comes before prosecutor Jade Liu, guilt-ridden from the suicide of her brother and her strict Catholic upbringing. Before demanding Phoenix’s three-and-a-half years sentence for manslaughter, Jade has a night of passion with her that redirects both their lives. Phoenix writes her hundreds of letters and begs her to wait for her release. In fear of her own desire, Jade marries Meng Ye, the genderless young man she saved from prison who reminds her of her brother…
Cinematography
Cinematography
In the early 1950s, even the small villages in Taiwan were bathed in the atmosphere of White Terror. It was a difficult time for all. There was a beautiful young woman called A-zhen. She always felt that there was something weird in her house since she got married to her husband, A-yi, the village glassblower. A-zhen was very curious about the mystery surrounding the wall in her house. So, one day, she decided to investigate the real secret behind the wall.
