Sally Hibbin

Long-awaited sequel to the 1995 film. A young British Asian, Mo is a fast-rising police officer who goes under cover infiltrating Shadwell's resurgent hooligan element, who are fired up by Shadwells's takeover by a Russian oligarch and their unlikely adventure into European competition. Mo quickly becomes embroiled in the local schism between the BNP and EDL and plans to build a new mosque in the shadow of the Shadwell ground creates an explosive environment in which football and political violence form a perfect storm of social unrest. In the midst of this, Mo is faced with the essential existential question of of who he really is and where he really belongs. It's 20 years on and clever Trevor is now chief super, but what happens to the rest of the gang?

Two refugee teenage girls from Africa meet and become friends and help each other deal with the horrors in their past.

A morality tale of xenophobia, religious prejudice, mob violence, poverty, and their effect on two children in Liverpool during the Depression. When a shipyard closes, Liam and Teresa's dad loses his job. Liam, who's about 8, making his first Holy Communion, gets a regular dose of fire and brimstone at church. Teresa, about 13, has a job as a maid to the Jewish family that owns the closed shipyard. The lady of that house is having an affair, and Teresa becomes an accomplice. Liam stutters terribly, especially when troubled. Dad comes under the sway of the Fascists, who blame cheap Irish labor and Jewish owners. A Molotov cocktail brings things to a head.

The compelling tale of how a group of sacked dockers got together with scriptwriter Jimmy McGovern and novelist Irvine Welsh to turn their unique story into a film. In September 1995, five men were sacked for walking off the job when their overtime agreement was ditched. Dockers: Writing The Wrongs tells how the dockers spent a year producing the script based on their own experiences of the dramatic two and a half year dispute.

A young woman joins a group of protesters trying to stop the construction of a highway through a forest with the purpose of having sex with their leader. But when morning comes and the authorities show up to disband the protesters, she hits a man with a log. This causes the two to have to go on the run. With the help of a sickly, but sympathetic woman, the two slip through police roadblocks. Traveling with her, they learn she is an ex-army lesbian who just wants to see a final sunrise at the Orkney Islands before her death.

When the father of privileged Rosina da Silva violently dies, she decides to pass herself off as a gentile and finds employment with a family in faraway Scotland. Soon she and the family father, Charles, start a passionate secret affair.

A Glasgow man visits war-torn Nicaragua with a refugee tormented by her memories.

When an English cartographer arrives in Wales to tell the residents of the Welsh village of Ffynnon Garw that their 'mountain' is only a hill, the offended community sets out to remedy the situation.

Four policemen go undercover and infiltrate a gang of football hooligans hoping to route out their leaders. For one of the four, the line between 'job' and 'yob' becomes more unclear as time passes . . .

Maggie has had four children, by four different fathers, removed by social services because of a previous violent relationship. When she meets Jorge, a gentle Latin American refugee, she gradually sees her chance for happiness, but her history still haunts her.

Proud, though poor, Bob wants his little girl to have a beautiful (and costly) brand-new dress for her First Communion. His stubbornness and determination get him into trouble as he turns to more and more questionable measures, in his desperation to raise the needed money. This tragic flaw leads him to risk all that he loves and values, his beloved family, indeed even his immortal soul and salvation, in blind pursuit of that goal.

Stevie, fresh from prison in Scotland, finds a job on a London construction site. The working conditions are poor and most of the men are working under aliases, due to immigration status and to not conflict with their "signing on" for unemployment benefits. Some coworkers help Stevie secure housing, squatting in a council estate. Then Stevie meets Susan, from Ireland, who's struggling to be a professional singer.