Noreen Stevens

参加作品

Good Citizen: Betty Baker
Title Designer
Good Citizen: Betty Baker is a tongue-in-cheek mystery, full of unexpected twists. It features Betty, a civic-minded housewife who inhabits a cartoonish, 2-D, 1950s-inspired world, replete with narrow-minded peril. The story begins when Prince Philip goes missing and Betty finds a clue that leads her on a thrilling chase from her neighbour’s trash, to a strangely exciting all-girls bar, to the local chapter of 100% Women. Accompanied by the musical stylings of Marilyn Lerner, this frolicking satire irreverently unravels right-wing family values.
Good Citizen: Betty Baker
Butch 12
Good Citizen: Betty Baker is a tongue-in-cheek mystery, full of unexpected twists. It features Betty, a civic-minded housewife who inhabits a cartoonish, 2-D, 1950s-inspired world, replete with narrow-minded peril. The story begins when Prince Philip goes missing and Betty finds a clue that leads her on a thrilling chase from her neighbour’s trash, to a strangely exciting all-girls bar, to the local chapter of 100% Women. Accompanied by the musical stylings of Marilyn Lerner, this frolicking satire irreverently unravels right-wing family values.
Good Citizen: Betty Baker
Assistant Art Director
Good Citizen: Betty Baker is a tongue-in-cheek mystery, full of unexpected twists. It features Betty, a civic-minded housewife who inhabits a cartoonish, 2-D, 1950s-inspired world, replete with narrow-minded peril. The story begins when Prince Philip goes missing and Betty finds a clue that leads her on a thrilling chase from her neighbour’s trash, to a strangely exciting all-girls bar, to the local chapter of 100% Women. Accompanied by the musical stylings of Marilyn Lerner, this frolicking satire irreverently unravels right-wing family values.
A Day in the Life of a Bull-Dyke
Buddy #5 / Proud Marcher #5
A Day in the Life of a Bull-Dyke follows a big boned butch into skirmishes, drag, and the arms of a beautiful recruit. The public and private lives of this "strange animal" are explored with the reverence and glee found in the educational exposés like Reefer Madness and bad-boy films like Rebel without a Cause. However, because this fictionalized lesbian history is a first-person narrative, it is filled with all the joy, pain, and ambivalence each of us experiences while negotiating a marginalized identity.