Nur Levi

A day in the life of Azucena, who is running out of time to keep herself and her family from being evicted; Rafael, a lawyer who sets out to reunite a mother with her daughter; and Teodora, a sick old woman who searches for her long-lost son before it is too late.

Spain, 1982. Andrés Expósito, a young police inspector, accepts a posting in Denia, a small town on the Mediterranean coast, in the hope of leading a quieter life and that the natural environment will help improve the fragile health of his daughter; but once in his new post he becomes involved by chance in the investigation of the strange death of the inspector he has come to replace.

NEY narrates in first person the trip that Nicholas Avruj made in the year 2000. The original itinerary consisted of a family vacation to Tel Aviv, but for a mixture of adventures and curiosity the director crossed to Gaza and West Bank.

An anthology film with 20 stories on the subject of words, communication, linked to one another over a 400-metre stretch: from Madrid's Lavapiés Square to the Sala Mirador. A journey between theatre and cinema, filmed in a single fixed shot running continuously over 80 minutes and half a kilometer, in Madrid's popular Lavapiés district. The characters talk, argue, laugh, cry, threaten, whisper, shout, steal, make dates, get angry with and hug one another, prompting the spectator to reflect on the immense power of words.

Cain is a self-conscious butcher who lives in the Madrid neighborhood of Lavapiés and who envies his brother Abel, his only family, for having achieved everything he does not have. When Cain discovers that Abel has left a neighbor neighbor pregnant, daughter of immigrants from Bangladesh and Muslim religion, decides to pass for the father of the child and take responsibility for what will be his new family.

A movie script is presented to Isabel. After reading it she realizes it's based on an old love affair she had with movie director Mario Fabra, the author of the script.

During a long summer, the tranquility of a couple and their three children resting in a country house is altered with the arrival of the children's uncle, a character who exerts a curious influence on the boys and a morbid and strange attraction the wife. Twelve years after 'Los viajes escolares' (1973), his first commercial feature film, the Madrid director Jaime Chávarri returns to the same estate in the province of Segovia to shoot a new family story, about his own plot and script. Like its predecessor, 'The Golden River' contains a strong autobiographical charge and is full of personal resonances. But this new history of family ties is narrated from a perspective in which adultery manifests itself openly. Endowed with a slow narrative rhythm, the film presents an international cast headed by Ángela Molina, Bruno Ganz, Francesca Annis and Stefan Gubser. The film also has the presence of a very young Juan Diego Botto, in one of his first appearances on the big screen.