Giulia Magda Martinez

参加作品

Koza Nostra
Writer
When Vlada Koza, a mature Ukrainian woman, intrusive and caring, becomes a grandmother for the first time, she drops everything and travels to Sicily from her home in the Carpathian mountains to join her daughter... without warning! But the girl does not appreciate her mother's suffocating attention, so she puts her at the door without much hesitation. Thus, Vlada finds herself alone and penniless in the Sicilian hinterland. An unexpected car accident makes her become the unlikely governess of Don Fredo, boss of the Laganàs: a dysfunctional mafia family struggling to survive in the modern world. The irrepressible intrusiveness of Vlada, who loves feeling useful, taking care of others, fixing things and giving advice, seems to bring a hint of palpable well-being within the walls of Villa Laganà... At least until the day she finds out who Don Fredo and his children really are!
The Last Fascist
Editor
Terrible pandemics can come from bats and pangolins, but the worst, the most deadly, is the one generated by the minds of a humanity that has lost its meaning
The Last Fascist
Screenplay
Terrible pandemics can come from bats and pangolins, but the worst, the most deadly, is the one generated by the minds of a humanity that has lost its meaning
The Last Fascist
Director
Terrible pandemics can come from bats and pangolins, but the worst, the most deadly, is the one generated by the minds of a humanity that has lost its meaning
The Last Fascist
Tatiana Farina
Terrible pandemics can come from bats and pangolins, but the worst, the most deadly, is the one generated by the minds of a humanity that has lost its meaning