Third Assistant Director
Margot and Marguerite are 12-year-old girls who seem no different from any other youngsters with the usual family and peer problems. While they appear to have similar faces and body shapes, they wear different clothes and hairstyles, but the biggest difference between them is that one lives in 1942 and the other in 2020. When the girls crawled into a wooden chest they were magically sent into each other’s timeline, and because the girls look so similar their family and friends do not notice the swap.
The Faun
Jerome Robbins considered the Paris Opera Ballet as his second home after the New York City Ballet. This production in his honour brings together works displaying the infinite diversity of his sources of inspiration and his genius on stage. Be it in the energy of the large-scale Glass Pieces or the intimate sweetness of Afternoon of a Faun and A Suite of Dances, there emerges that rare capacity to make bodies follow the flow in a living comprehension of music. As the celebrated ballet Fancy Free, a veritable theatrical portrait of an era, enters the repertoire, Robbins reveals another facet of his talent.
