Christine Haupt

The French workers who clean nuclear reactors are exposed to high levels of radiation. With impressive images the film portrays “nuclear nomads” who travel from one nuclear power plant to another in caravans, risking their health in the name of the future.

Brigitte lives alone, but she isn’t alone after all. However one door in her flat remains closed at all times. Behind that door lives her 21 years old son, Timo. Three years ago he decided to separate himself from the outside world. The only thing left for Brigitte is to wait. To wait for the next Whatsapp message. To wait for a court order that could be an inducement for change. She is waiting for the day the door will finally be opened. Whether that would be for better or for worse.

A woman meets a man in a bar late in the evening and goes to his apartment. A woman picks up a girl from school and runs with the child through the park. If we see such scenes in a movie, or are we watching such situations in life, we quickly believe we know who these women are: a woman looking for a fleeting adventure in the first scene, a caring mother in the second.

Vincent grew up in a violent surrounding, his own family. After a new family feud Vincent decides to call the police but is taken to a youth center unintentionally. There Vincent beats up the director who touched him improvidently. It seems that violence looms large in Vincent's life. Then he meets Butterfly, a diffident young boy who collects butterflies to bear his parent's death. Vincent gets curious about the butterfly boy and tries to empathize. Step by step Vincent gains the friendship of butterfly. But one day his mother reappears to tell him he is not wanted at home anymore. Vincent is stunned. All of a sudden his feelings burst out and he beats up his defenseless roommate: Butterfly.

シュタージ（国家保安省）の局員ヴィースラー（ウルリッヒ・ミューエ）は、劇作家のドライマン（セバスチャン・コッホ）と恋人で舞台女優のクリスタ（マルティナ・ゲデック）が反体制的であるという証拠をつかむよう命じられる。ヴィースラーは盗聴器を通して彼らの監視を始めるが、自由な思想を持つ彼らに次第に魅せられ……。