Colin Dunn

参加作品

3057
Writer
During Melbourne's Stage 4 Covid-19 lockdown, housemates Colin and Rosie pass the time people-watching on their front lawn. Between games of 'smash or pass' and critiquing the outfits of people passing by, the duo engages in candid conversations about Queer authenticity and the importance of community. This Film Was Created On The Stolen Lands Of The Wurundjeri People Of The Kulin Nation. We Pay Respects To Elders Past, Present And Emerging And Acknowledge That Sovereignty Was Never Ceded.
3057
Editor
During Melbourne's Stage 4 Covid-19 lockdown, housemates Colin and Rosie pass the time people-watching on their front lawn. Between games of 'smash or pass' and critiquing the outfits of people passing by, the duo engages in candid conversations about Queer authenticity and the importance of community. This Film Was Created On The Stolen Lands Of The Wurundjeri People Of The Kulin Nation. We Pay Respects To Elders Past, Present And Emerging And Acknowledge That Sovereignty Was Never Ceded.
3057
Director
During Melbourne's Stage 4 Covid-19 lockdown, housemates Colin and Rosie pass the time people-watching on their front lawn. Between games of 'smash or pass' and critiquing the outfits of people passing by, the duo engages in candid conversations about Queer authenticity and the importance of community. This Film Was Created On The Stolen Lands Of The Wurundjeri People Of The Kulin Nation. We Pay Respects To Elders Past, Present And Emerging And Acknowledge That Sovereignty Was Never Ceded.
3057
Colin
During Melbourne's Stage 4 Covid-19 lockdown, housemates Colin and Rosie pass the time people-watching on their front lawn. Between games of 'smash or pass' and critiquing the outfits of people passing by, the duo engages in candid conversations about Queer authenticity and the importance of community. This Film Was Created On The Stolen Lands Of The Wurundjeri People Of The Kulin Nation. We Pay Respects To Elders Past, Present And Emerging And Acknowledge That Sovereignty Was Never Ceded.
I Am Woman
Swing
In 1966, Helen Reddy landed in New York with her three-year-old daughter, a suitcase, and $230 in her pocket. Within weeks, she was broke. Within months, she was in love. Within five years, she was one of the biggest superstars of her time and an icon of the 1970s feminist movement who wrote a song which galvanized a generation of women to fight for change.