Robert Anderson

Mrs. Reynolds Needs a Nurse is a popular and award-winning training film for nurses. The film documents a case study of an elderly lady who has been transferred to the university hospital in multisystem failure, accompanied by her husband and multiple suitcases of her belongings. Mrs Reynolds is a needy and demanding patient whose fears and anxieties are expressed by her annoying attempts to get attention, treating the nurses like servants and complaining about much of the care given to her. Mrs Reynolds' 8-month-long hospitalization showcases the importance of individualizing care, being aware of both emotional and physical needs, collaborating with other disciplines, and it demonstrates the nurse's role as a patient advocate with clinical competencies that were an early version of today's case managers.

This short documentary visits the 3 Quebec border towns of Rock Island, Stanstead and Beebe, and the Vermont town of Derby Line to see how residents and officials cope with a civic life that is cut down the middle by an international boundary.

This short documentary visits the 3 Quebec border towns of Rock Island, Stanstead and Beebe, and the Vermont town of Derby Line to see how residents and officials cope with a civic life that is cut down the middle by an international boundary.

This short film introduces us to the "automatistes," followers of an abstract art form that developed in Montreal. The movement, initiated by Paul-Émile Borduas, is explained by the artists themselves when narrator Bruce Ruddick drops in at their cooperative studio. The film also captures painter Paterson Ewen at his home and joins the crowd at L'Échouerie, the artists' rendezvous spot. Dr. Robert Hubbard, chief curator of the National Gallery of Canada, comments on non-objective art in general and automatism in particular.

This short film introduces us to the "automatistes," followers of an abstract art form that developed in Montreal. The movement, initiated by Paul-Émile Borduas, is explained by the artists themselves when narrator Bruce Ruddick drops in at their cooperative studio. The film also captures painter Paterson Ewen at his home and joins the crowd at L'Échouerie, the artists' rendezvous spot. Dr. Robert Hubbard, chief curator of the National Gallery of Canada, comments on non-objective art in general and automatism in particular.

This short documentary illustrates what to do when you're lost in the bush. Filmed in 1954, an NFB producer and a Native guide allow themselves to be marooned in the bush with only an axe and their wits as means of survival. They eat off the land, build their own birchbark canoe and make their way out.

This short documentary illustrates what to do when you're lost in the bush. Filmed in 1954, an NFB producer and a Native guide allow themselves to be marooned in the bush with only an axe and their wits as means of survival. They eat off the land, build their own birchbark canoe and make their way out.