Shigeko, a bluff medium who has no inspiration at all, exorcises women who are in trouble because they are being sexually assaulted by spirits night after night, but the spirits follow Shigeko.
Manager's wife
Nobuo, a virgin, was invited by Ayumi (Makoto Toda) to her house saying, "I don't have my parents today, so it's okay." He rushed out of the house and was run over by a car and taken to the hospital. Nobuo wanders the deadline, but it seems he hasn't died yet. And Nobuo, who isn't going, follows the woman who pulled herself, and when she looks into her life, a ghost in white costume appears and approaches Nobuo who is frightened.
The complex substance of human beings living with contradictions is not scented beyond oblivion, but is roasted through the main character in the movie. The words drawn from us looking at it will also come from deep-rooted realms. Something that you don't even notice will attract a sense of discomfort ... "Returning Basho" leaves a sound that is as close as possible to the feeling of returning to me. Winner of the 36th Pia Film Festival.
