Wu-Ching Chang

What will it be like in a century?

Using a variety of animation techniques, including egg yolk as paint, filmmaker Wu-Ching Chang creates a stirring tribute to her grandmother who, as a T'ung-yang-hsi, was sold as a young girl to another family and raised as their future daughter-in-law. Forced to perform the household chores and denied an education, this hardworking woman found freedom through financial independence.

Using a variety of animation techniques, including egg yolk as paint, filmmaker Wu-Ching Chang creates a stirring tribute to her grandmother who, as a T'ung-yang-hsi, was sold as a young girl to another family and raised as their future daughter-in-law. Forced to perform the household chores and denied an education, this hardworking woman found freedom through financial independence.

Using a variety of animation techniques, including egg yolk as paint, filmmaker Wu-Ching Chang creates a stirring tribute to her grandmother who, as a T'ung-yang-hsi, was sold as a young girl to another family and raised as their future daughter-in-law. Forced to perform the household chores and denied an education, this hardworking woman found freedom through financial independence.

Using a variety of animation techniques, including egg yolk as paint, filmmaker Wu-Ching Chang creates a stirring tribute to her grandmother who, as a T'ung-yang-hsi, was sold as a young girl to another family and raised as their future daughter-in-law. Forced to perform the household chores and denied an education, this hardworking woman found freedom through financial independence.

Using a variety of animation techniques, including egg yolk as paint, filmmaker Wu-Ching Chang creates a stirring tribute to her grandmother who, as a T'ung-yang-hsi, was sold as a young girl to another family and raised as their future daughter-in-law. Forced to perform the household chores and denied an education, this hardworking woman found freedom through financial independence.

Using a variety of animation techniques, including egg yolk as paint, filmmaker Wu-Ching Chang creates a stirring tribute to her grandmother who, as a T'ung-yang-hsi, was sold as a young girl to another family and raised as their future daughter-in-law. Forced to perform the household chores and denied an education, this hardworking woman found freedom through financial independence.

Using a variety of animation techniques, including egg yolk as paint, filmmaker Wu-Ching Chang creates a stirring tribute to her grandmother who, as a T'ung-yang-hsi, was sold as a young girl to another family and raised as their future daughter-in-law. Forced to perform the household chores and denied an education, this hardworking woman found freedom through financial independence.

This film is based on concepts of panic attacks and ornithophobia. The girl suffers from a feeling of great discomfort that comes without warning, like an uncontrollable disaster. When the panic is accompanied by a flapping of wings, a chaotic, dissociated journey into her unconsciousness begins.

This film is based on concepts of panic attacks and ornithophobia. The girl suffers from a feeling of great discomfort that comes without warning, like an uncontrollable disaster. When the panic is accompanied by a flapping of wings, a chaotic, dissociated journey into her unconsciousness begins.