Geoffrey Drake

出生 : 1911-01-01,

死亡 : 1995-01-01

参加作品

ナバロンの嵐
Visual Effects Designer
第二次世界大戦中のユーゴスラビアでは、強大なドイツ軍が、パルチザン将兵をネレトバ峡谷に追いつめていた。彼らを救うため、アメリカ軍特殊部隊“フォース10”がネレトバ橋の爆破を命じられる。フォース10には、ナバロン要塞を爆破したマロリーとミラーが加えられた。しかしユーゴスラビアに降下した彼らは、ドラザック大尉率いる王党派に捕えられ、ドイツ軍に引き渡されてしまう。
ナバロンの嵐
Production Design
第二次世界大戦中のユーゴスラビアでは、強大なドイツ軍が、パルチザン将兵をネレトバ峡谷に追いつめていた。彼らを救うため、アメリカ軍特殊部隊“フォース10”がネレトバ橋の爆破を命じられる。フォース10には、ナバロン要塞を爆破したマロリーとミラーが加えられた。しかしユーゴスラビアに降下した彼らは、ドラザック大尉率いる王党派に捕えられ、ドイツ軍に引き渡されてしまう。
Sinbad and the Eye of the Tiger
Production Design
Princess Farah refuses to marry Sinbad until Prince Kassim, her brother, is able to give his consent. However, the Prince's wicked stepmother, Queen Zenobia, has changed Kassim into a baboon in order to have her own son crowned as caliph. Sinbad, his crew, the Princess and the transformed Prince travel to a distant land, fighting every obstacle Zenobia places in their path, to seek the advice of a legendary wise man who can possibly tell how to end the spell.
The Internecine Project
Production Design
Former secret agent Robert Elliot (Coburn) will be promoted to government advisor. In order to make sure no-one will ever know about his dirty past.
Young Winston
Production Design
This historical drama is an account of the early life of British politician Winston Churchill, including his childhood years, his time as a war correspondent in Africa, and culminating with his first election to Parliament.
Lord Jim
Production Design
After being discredited as a coward, a 19th century seaman lives for only one purpose: to redeem himself.
The Victors
Production Design
Intercutting dramatic vignettes with newsreel footage, the story follows the characters from an infantry squad as they make their way from Sicily to Germany during the end of World War II.
Jason and the Argonauts
Production Design
Jason, a fearless sailor and explorer, returns to his home land of Thessaly after a long voyage to claim his rightful throne. He learns, however, that he must first find the magical Golden Fleece. To do so, he must embark on an epic quest fraught with fantastic monsters and terrible perils.
ナバロンの要塞
Production Design
ギリシャ・ナバロン島に据えつけられた2門の大砲を破壊するため、6人のメンバーからなる特殊部隊が結成された。イギリス駆逐艦がここを通過するまでに、大砲を破壊しなければならない。彼らは、ナバロン島南側の、400フィートもの絶壁に取りつくが……。A・マクリーンの同名冒険小説を映像化。錚々たるキャストと、重厚な演出が実にマッチした文字通りの娯楽大作。J・リー・トンプソンの最高傑作。
ピーター・セラーズのマ☆ウ☆ス
Art Direction
The Duchy of Grand Fenwick decides that the only way to get out of their economic woes is to declare war on the United States, lose and accept foreign aid. They send an invasion force (in chain mail, armed with bows and arrows) to New York and they arrive during a nuclear drill that has cleared the streets.
The Inn of the Sixth Happiness
Art Direction
All her life, Englishwoman Gladys Aylward knew that China was the place where she belonged. Not qualified to be sent there as a missionary, Gladys works as a domestic to earn the money to send herself to a poor, remote village. There she eventually lives a full and happy life: running the inn, acting as "foot inspector", advising the local Mandarin, and even winning the heart of mixed race Captain Lin Nan. But Gladys discovers her real destiny when the country is invaded by Japan and the Chinese children need her to save their lives. Based on a true story.
The Key
Art Direction
In wartime England, circa 1941, poorly-armed tugs are sent into "U-Boat Alley" to rescue damaged Allied ships. An American named David Ross arrives to captain one of these tugs. He's given a key by a fellow tugboat-man -- a key to an apartment and its pretty female resident. Should something happen to the friend, Ross can use the key.
白鯨
Production Design
1841年、マサチューセッツ州ニューベドフォード。イシュメイルは安宿で知り合った銛打ちと意気投合し、老朽の捕鯨船ピークォッド号に乗り込む。その船の船長エイハブはかつて“白鯨”と呼ばれる巨大なクジラに片足を喰いちぎられており、その復讐に燃えている。この航海の目的もそれで、今度こそ“白鯨”の息の根を止めるつもりのエイハブの目には既に狂気に似たものがあった。“白鯨”を倒す執念に憑かれたエイハブの凶行は、次第に船員たちの命までも危険に晒していく……。
Beautiful Stranger
Art Direction
An ex-chorus girl lives on the Riviera, supported by a married man she doesn't know is a crook.
Curtain Up
Art Direction
In a small town in the 1950's a repertory company meets on Monday morning to start rehearsing the following week's play. This is a ghastly thing written by the aunt of one of the theatre's directors. The producer doesn't try to hide his annoyance about it, and is further exercised when the authoress herself arrives to help. The cast have to try and sort out real-life problems that keep intruding as they wrestle with the play's dire dialogue.