A filmmaker locks himself in his house to face up to his loneliness and the ghosts of three couples, the protagonists of three of the films he made over 31 years, from the fall of the Berlin Wall until today. An essay on loneliness, absence, unease and the weight of social circumstances on individuals. A film about Havana, as lived and filmed under a blazing sun.
La Mujer Roja / Kirenia Natasha
Walfrido Larduet, a lonely electrical inspector, dreams of the Red Woman, whose image persists and becomes an obsession. Something tells him she is near. Over the course of a day, Walfrido will follow her trail as he travels through the suburbs of an infested city.
Tony is fascinated by Neisy during the Rolling Stones concert in Havana. As he follows her around, he decides to make a secret documentary about her life. He infiltrates her house and starts recording her privacy from under the bed. Thus, he becomes a witness to Neisy’s generational conflicts with her mother, her bisexuality and her ways to earn a living. This privileged approach makes him fall in love with her. But one day he will be discovered and the story will change radically.
