Director of Photography
After an unbearably creepy negotiation with some skeevy car dudes, a mechanic has to fight off a demonic monster inhabiting her dream 1978 Camaro.
Gaffer
The woman wonders what her neighbors are doing to deserve so many gifts from the gods. Stone blessings pile up on their altar while the woman receives so few. She has offered those same gods her food, time, and love. What more do they want? Do they want sex? Or something more? Perhaps a bit of flesh?
Director of Photography
Who was Joe D’amato- Aristide Massaccesi under his civil status? A genius of horror in the USA, a master of eroticism in France, the king of porn in Italy. A man with a thousand pseudonyms capable of making over 200 films while simultaneously holding the roles of producer, director, author, director of photography and even camera operator. An artisan of cinema as he liked to call himself, capable of working on all film genres. From spaghetti western to post-atomic, decamerotic to glossy eroticism, and blockbuster porn to bloody horror. Guided by the aesthetics of extremes and supported by an undeniable technical ability, Joe D’Amato pushed himself, and the viewer, beyond all limits following with dedication three rigid principles that have become his stylistic code: Amaze, Shock, Scandalize.
Cinematography
Who was Joe D’amato- Aristide Massaccesi under his civil status? A genius of horror in the USA, a master of eroticism in France, the king of porn in Italy. A man with a thousand pseudonyms capable of making over 200 films while simultaneously holding the roles of producer, director, author, director of photography and even camera operator. An artisan of cinema as he liked to call himself, capable of working on all film genres. From spaghetti western to post-atomic, decamerotic to glossy eroticism, and blockbuster porn to bloody horror. Guided by the aesthetics of extremes and supported by an undeniable technical ability, Joe D’Amato pushed himself, and the viewer, beyond all limits following with dedication three rigid principles that have become his stylistic code: Amaze, Shock, Scandalize.
Cinematography
May, 15, confronts that her best friend has a closer relationship to her mom than her, threatening the ties that hold them all together.
Director of Photography
After failing to keep his wife's dying wish, a series of tragic events leads Henry to believe she's returned to get revenge.
