Jeff Harkavy

参加作品

The Providers
Thanks
A female pimp struggles with providing for her family as well as the women she employs.
The Woods Have Eyes
Editor
When a group of young campers wander into the backwoods of upstate New York to see if Cappy's Cabin--a place they think exists only in urban legend--is real, they find themselves in a twisted game of predator and prey as night begins to fall. All they have to do is survive until dawn, but Cappy is very, very real, and night has only just begun...
Happy End
Editor
Val is 23 years old and full of dreams. She travels to New York to become an actress. She is lonely in a strange country, in a strange city, with little money and no friends. In her path, she meets weird people who they, also, seek their dreams but everyday life gets in the way. Tired and hungry she sits on the corner of a building. Across the street a writer whose fantasy has dry out. In an instant she becomes his muse... At the Oscar's night she will be the one with the Golden Globe in her hands.
Bridget
Editor
Being addicted to alcohol, single mother Anna had to give her son to foster parents, but they would "sell" him back if she offers enough money. When she gets to know Pete, the mentally handicapped son of a wealthy author, his father asks her to marry his son for one million dollar.
Sue
Associate Editor
An unemployed ex-office worker searching for work floats a fragile line of sanity as she struggles to find friendship and companionship. Her tenuous grasp on reality further fluctuates when a man whom she met in a restaurant and started an affair with is called to go to India for an assignment. The final straw occurs when she is evicted and moves into a sleazy hotel. She then starts seeking casual sex in unorthodox locations just to have human contact.
Fiona
Editor
Fiona is abandoned at six months of age, raised in foster and adoptive homes, abused, and, still a teen, hustles on the streets of New York. We watch her use heroine, fall in love with other women, be pursued by men, engage in murderous violence, hide out in a crack house, and decide to leave the city. We see her mother, also a streetwalker and drug user, occasionally talk about her lost daughter. Fiona has a necklace she was clutching when a foundling. Will mother and daughter meet? Is there a silver lining?