Žofia Králová

A dramatic story of three friends happily spending time on their own in a mountain cottage in the High Tatras. On the arrival of the wife of one of them their perfect friendship is put to a test.

This film is one of the most popular pictures of Slovak cinema and relates the story about the legendary folk hero and brigand Juro Jánošík [1688-1713] and the social situation in Slovakia of the late 17th and early 18th centuries. The first part talks about Jánošík's childhood, studies and return to his native village. In the second part Jánošík leaves for the hills, where he organizes his band of brigands and starts an anti-feudal resistance. The film concludes with Jánošík's execution.

An unusual children's film set during World War II in Czechoslovakia, this compelling drama unfolds five different segments that present the war through the eyes of three youngsters. The three have a series of adventures which include saving a soldier from being captured by the Germans, helping out the resistance fighters, and meeting up with a young Russian woman trained in guerrilla warfare. As they learn more about life and danger, various circumstances constantly recall the reality of war itself. The title comes from a wounded pigeon under the care of one of the youngsters.

On this naive and awkwardly narrated fairy tale it is remarkable that it also established the tradition of fairy tale stories in Slovakia. A certain refinement is the framing of the whole story with a puppet show that moves into the played scenes. The film carries out a folk tale of a stupid castle lord who lives in a ruined castle, a fraudulent painter and a lazy shepherd.

A comedy about a lost inheritance, love and a red umbrella, which, according to a local legend, belonged to St. Peter himself.