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Three books: a film festival catalogue, a dictionary, the Bible. Three works whose materiality has become obsolete by the digital dematerialization. A commentary on the fragility of culture.
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This animated short by Claude Cloutier is a pictorial account of an attack on Canadian soldiers during WWI. On the edge of the battlefield, recruits are dreading the order to attack. At the signal, a young soldier leaps into a hell of fire and blood where the earth engulfs both the living and the dead. Blending archival images and Cloutier’s hypnotizing brushstroke, the film is a dazzling illustration of the futility of war.
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This animated short by Theodore Ushev is like a whirlwind tour of Russian constructivist art and is filled with visual references to artists of the era, including Vertov, Stenberg, Rodchenko, Lissitsky and Popova.
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Exploration of the connections between sex, love and technology.
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With its interplay of shadow and light, of paint in movement, BLUE LIKE A GUNSHOT is a work of great visual power. It is also a reflection on our world. In its evocation of the conflict between civilization and nature, the absurd vanity of human warfare contrasts with the harmony of the natural world.