BeV StroganoV

参加作品

Queens Don’t Cry
Bosom buddies BeV StroganoV, Ovo Maltine, Ichgola Androgyn and Tima die Göttliche are four Berlin drag queens who met in the mid 1980s. These four queens became Germany’s most popular drag performers and have been busy fertilizing the German cultural scene. Besides being performers, they are also political activists – in AIDS awareness, anti-gay violence, the sex workers movement and the struggle against the extreme right and racism. The film tells their story.
Gay Courage: 100 Years of the Gay Movement
A look at gay history over the last 100 years.
Love, Jealousy and Revenge
Inge
Explores the mobile meanings of language in film with the help of sophisticated telecommunications; an aural/oral offering.
Love, Jealousy and Revenge
Georg
Explores the mobile meanings of language in film with the help of sophisticated telecommunications; an aural/oral offering.
Fire Under Your Ass
Directed by Rosa von Praunheim.
Superbia – The Pride
Costume Design
Pride is the first of the seven deadly sins. The introduction is made through early allegorical forms and figures (triumphal procession, dance of death, Baroque tragedy etc.) The triumphal procession of the giant haystack as a symbol of human vanities becomes a military parade of abrupt, functional and arrogant gestures. The most diverse musical fragments and rhythms intone the montage of details in the staged triumphal procession, juxtaposed with documentary images, including marches, ticker-tape parades and military review.
A Virus Knows No Morals
Costume Design
A Film by Rosa von Praunheim Nurses on the night shift roll dice to see which AIDS patient will die next. The owner of a gay bathhouse gets Kaposi's Sarcoma but tries to keep his mind on profits. An epidemic victim is harassed by a reporter on his death bed - he sticks her with a contaminated syringe. The government opens a quarantine called Hell Gay Land. Gay terrorists kidnap the Minister of Health. A black comedy filled with everybody's worst fears, A Virus Knows No Morals is Rosa von Praunheim's most controversial film to date: a savagely funny burlesque on the AIDS crisis. Irreverent yet deadly serious, the filmmaker covers just about every aspect of AIDS and its effects, as well as the rumors surrounding it. Since the 1960's von Praunheim has produced a provocative body of underground films, making him one of the New German Cinema's most original artists. "Brave and Vicious – Armed Camp!"