Lorenzo Sattin

The Matterhorn is among the highest mountains in the Alps. It overlooks Breuil-Cervinia village in Italy and Zermatt in Switzerland, two well-known tourist destinations. The cities, divided by the mountains, have always been connected by winter sports enthusiasts and professionals. In 2020, the Covid19 pandemic broke the balance. In Switzerland, the new rules of access to the facilities have not prevented people from experiencing the mountains. In Italy, the total closure has annulled tourism. A new paradoxical normalcy, symbolizing a human condition of inner conflict, which in times of difficulty shows itself more clearly. In the Swiss part, tourists adapt to new behaviors with daily habits. In the Italian part, instead, deprived of the human element, the pylons, the Christmas lights, and the ski lifts become natural objects; snowcats, iron giants lost in time, working for months for no one, with a wandering melancholy.

A house. A shelter. A man the last one left in the homeland. A woman returns to her community every year. The daughters and husband who have lost all traditions. A rapper who raps in the old language. In 1990 Susanna marries Udo. Their wedding is the last one celebrated between two Saxons in their village. After that the couple emigrated like half a million of Transylvanian Saxons. After 30 years in Germany the relationship between Susi and Udo has gone stale and they haven't taught their native language to their daughters that feel just German. Georg on the other hand is proud of his identity. He hopes with his rap to spread the young generations about the heritage to make them proud of being a Saxon. This is the choral story of a family who is learning to change in order not to disappear.