Michael Bertl

出生 : 1963-09-08, Weilheim, Germany

参加作品

What Doesn't Kill Us
Director of Photography
As a divorced father of two teenage daughters, with a head-strong ex-wife for a best friend, too many peculiar patients to keep up with and a new dog, psychotherapist Max certainly doesn't need another challenge. But when Sophie, a compulsive gambler with a boyfriend problem, regularly shows up late for her appointments, she rocks his world in ways he's not ready for.
Agnes
Director of Photography
The non-fiction author Walter falls for the physics student Agnes. He is fascinated by her extreme attitude towards life and her reserved appearance, which is quite the opposite of his quiet and regular life. When Agnes encourages him to follow his passion for writing fiction, he starts to work on a book, a portrait of how he sees her.
Mr. Morgan's Last Love
Director of Photography
A widowed professor living in Paris develops a special relationship with a younger French woman.
Helen
Director of Photography
On the outside, Helen has it all – a loving family and a successful career – but when her suppressed mental illness resurfaces, the world crumbles around her. Crippled by depression, Helen finds solace through her friendship with Mathilda, a kindred spirit struggling with bipolar disorder.
Silly's Sweet Summer
Director of Photography
Twelve-year-old Martin is a little too small for his age. Too thin and too quiet, as his mother is unfortunately always reminding him. He and his blue baseball cap are joined at the hip, or rather, at the head. Martin and his parents have just moved to the quiet little town of Bellbach. A new home, a new school, but no new friends. Even on his first day, there’s trouble...
Fürchte dich nicht
Director of Photography
マーサの幸せレシピ
Director of Photography
ドイツのフランス料理店で働く一流シェフのマーサは、いつも料理のことばかり考えている神経質な女性。しかも人間関係が苦手ゆえ、お客を怒らせることもしばしばだった。そんなある日、姉の突然の訃報を知らされたマーサは8歳の姪リナを引き取り、彼女の父親が見つかるまで一緒に暮らすことに。姉の死後しばらく店を休んでいたマーサが職場に復帰すると、陽気なイタリア人シェフのマリオが彼女の代役を務めていた。
Black Sun
Director of Photography
A historical analysis of how groups such as the Nazi’s may use language, symbols, and religious connotation in order to come to power. It raises questions that deserve in depth analysis and consideration. Questions include: Where do legends expand our thinking and where do they bury it? When does spiritual pursuit suddenly turn into fanaticism and violence? Last, have we as a society learned from our past, and if so have forgotten the lessons of the 20th Century? Are we now embarking on a new level only to learn the same old lessons about humanity again? In addressing these questions we are taken into the back drop of the history of Germany beginning in the late 1800’s through the late 20th Century at the eve of the 21st. “A society that does not take archetypes, myths, and symbols seriously will possibly be jumped by them from behind.”
Der Nachlaß
Director of Photography
Ein letztes Lied
Director
Nach einer Ewigkeit
Director