Sam Vladimirsky

Sam Vladimirsky

プロフィール写真

Sam Vladimirsky

参加作品

Family Legend
Editor
In 1916, twenty-year-old Marion Wong wrote and directed The Curse of Quon Gwon, the earliest example of an Asian American film. What initially appears to be a story about a Chinese family cursed for allowing Western influence through the door, proves to be an illuminating examination of cultural diaspora years ahead of its time.Sandwiched between two global pandemics, this documentary follows the Wong family descendents as they secure The Curse of Quon Gwon its place in film history and new revelations rise to the surface.
Family Legend
Producer
In 1916, twenty-year-old Marion Wong wrote and directed The Curse of Quon Gwon, the earliest example of an Asian American film. What initially appears to be a story about a Chinese family cursed for allowing Western influence through the door, proves to be an illuminating examination of cultural diaspora years ahead of its time.Sandwiched between two global pandemics, this documentary follows the Wong family descendents as they secure The Curse of Quon Gwon its place in film history and new revelations rise to the surface.
Family Legend
Director
In 1916, twenty-year-old Marion Wong wrote and directed The Curse of Quon Gwon, the earliest example of an Asian American film. What initially appears to be a story about a Chinese family cursed for allowing Western influence through the door, proves to be an illuminating examination of cultural diaspora years ahead of its time.Sandwiched between two global pandemics, this documentary follows the Wong family descendents as they secure The Curse of Quon Gwon its place in film history and new revelations rise to the surface.
4'33
Editor
Tthis collaborative, crowdsourced performance of John Cage's 4’33” features professionals, amateurs and even digital avatars from around the world putting their own spin on Cage’s infamous composition.
4'33
Producer
Tthis collaborative, crowdsourced performance of John Cage's 4’33” features professionals, amateurs and even digital avatars from around the world putting their own spin on Cage’s infamous composition.
4'33
Director
Tthis collaborative, crowdsourced performance of John Cage's 4’33” features professionals, amateurs and even digital avatars from around the world putting their own spin on Cage’s infamous composition.
Tale of Two Mothers
Editor
When Jamie Diamond bought a discarded German family photo album from 1938, she did not expect to make art with it. But upon bringing a child into Trump's America, she began to notice uncanny parallels, and set out to recreate the original snapshots with her own son, collapsing space and time, merging pixels with the grain.
Tale of Two Mothers
Cinematography
When Jamie Diamond bought a discarded German family photo album from 1938, she did not expect to make art with it. But upon bringing a child into Trump's America, she began to notice uncanny parallels, and set out to recreate the original snapshots with her own son, collapsing space and time, merging pixels with the grain.
Tale of Two Mothers
Producer
When Jamie Diamond bought a discarded German family photo album from 1938, she did not expect to make art with it. But upon bringing a child into Trump's America, she began to notice uncanny parallels, and set out to recreate the original snapshots with her own son, collapsing space and time, merging pixels with the grain.
Tale of Two Mothers
Director
When Jamie Diamond bought a discarded German family photo album from 1938, she did not expect to make art with it. But upon bringing a child into Trump's America, she began to notice uncanny parallels, and set out to recreate the original snapshots with her own son, collapsing space and time, merging pixels with the grain.