Editor
A woman gazes at the television while she irons as she falls in love with a murderer in the news. A young woman living in a dilapidated flat falls in love with a man who is wanted for the murder of a college girl and is reported on the news every day. She scraps his press photos and talks to his wanted posters on the street. But her secret happiness is short-lived, and the day comes when the man is arrested, despite her pleas for him to run away. She cries as she listens to the news, and when the wind blows in her room, all that is left is... A sad and fantastic love story, with a surprising twist at the end. The iron that the woman keeps in her room, the laundry, is a symbol of her feelings for the man, but because it is white in colour, the more it increases, the purer the effect of her feelings becomes.
Production Design
A woman gazes at the television while she irons as she falls in love with a murderer in the news. A young woman living in a dilapidated flat falls in love with a man who is wanted for the murder of a college girl and is reported on the news every day. She scraps his press photos and talks to his wanted posters on the street. But her secret happiness is short-lived, and the day comes when the man is arrested, despite her pleas for him to run away. She cries as she listens to the news, and when the wind blows in her room, all that is left is... A sad and fantastic love story, with a surprising twist at the end. The iron that the woman keeps in her room, the laundry, is a symbol of her feelings for the man, but because it is white in colour, the more it increases, the purer the effect of her feelings becomes.
Art Direction
Smile apologetically next to a beautiful woman. Kyoko Yamada is an ugly woman. She has a man in her life, Momotani, whom she has feelings for. He says to her, "Bring your friends and come visit me. Yamada, who is ugly and has no friends, goes out on the street and talks to girls. There is only one criterion. The only criteria is that the girl has to look good enough to complement him. Finally, Yamada finds a fat girl and takes her to Momotani's flat. But Momotani is a fat lover.
The protagonist, who relies on fortune-telling in order to become beautiful and is bossy with the same sex whom she identifies as less than her, confronts the audience with "the ugly part of you", in the form of a laugh, saying "ugly people are such creatures". The film is a radical stomping ground of the looks complex.
Lighting Artist
Smile apologetically next to a beautiful woman. Kyoko Yamada is an ugly woman. She has a man in her life, Momotani, whom she has feelings for. He says to her, "Bring your friends and come visit me. Yamada, who is ugly and has no friends, goes out on the street and talks to girls. There is only one criterion. The only criteria is that the girl has to look good enough to complement him. Finally, Yamada finds a fat girl and takes her to Momotani's flat. But Momotani is a fat lover.
The protagonist, who relies on fortune-telling in order to become beautiful and is bossy with the same sex whom she identifies as less than her, confronts the audience with "the ugly part of you", in the form of a laugh, saying "ugly people are such creatures". The film is a radical stomping ground of the looks complex.
