Masaharu Mikami

参加作品

ボンジュール・フィリピーヌ
Director of Photography
The man of her dreams is coming! So, Nanako is very excited. She cleans her room, which she doesn't usually do, and even puts up some flowers to wait for him. Then Takano arrives. The story is set in a one-room flat and depicts a slightly dry and "modern" love story. The protagonist, Nanako, seems to be very fussy about music, but the author's sense of rhythm also pervades the whole story. The timing of the dialogue, the use of sound effects and the tempo of the story are all exquisite. The title comes from a French word game in which a boy and a girl share two seeds of fruit and say "bonjour philippine" to each other the next time they meet.
葱
A prep school student living alone in Tokyo from Fukushima is suddenly visited by his mother. For some reason, she is wearing a white motorbike helmet. I wonder if she has come alone from Fukushima on her motorbike. When she comes into the room and puts her feet up on the kotatsu, she doesn't take off her helmet, and she is still holding the shopping bag with the leek in it. Her mother refuses to say anything. The mystery deepens and fear creeps up from the depths of the night... A Japanese "cautionary" horror film about what can happen in everyday life.
葱
Director of Photography
A prep school student living alone in Tokyo from Fukushima is suddenly visited by his mother. For some reason, she is wearing a white motorbike helmet. I wonder if she has come alone from Fukushima on her motorbike. When she comes into the room and puts her feet up on the kotatsu, she doesn't take off her helmet, and she is still holding the shopping bag with the leek in it. Her mother refuses to say anything. The mystery deepens and fear creeps up from the depths of the night... A Japanese "cautionary" horror film about what can happen in everyday life.
葱
Script
A prep school student living alone in Tokyo from Fukushima is suddenly visited by his mother. For some reason, she is wearing a white motorbike helmet. I wonder if she has come alone from Fukushima on her motorbike. When she comes into the room and puts her feet up on the kotatsu, she doesn't take off her helmet, and she is still holding the shopping bag with the leek in it. Her mother refuses to say anything. The mystery deepens and fear creeps up from the depths of the night... A Japanese "cautionary" horror film about what can happen in everyday life.
葱
Producer
A prep school student living alone in Tokyo from Fukushima is suddenly visited by his mother. For some reason, she is wearing a white motorbike helmet. I wonder if she has come alone from Fukushima on her motorbike. When she comes into the room and puts her feet up on the kotatsu, she doesn't take off her helmet, and she is still holding the shopping bag with the leek in it. Her mother refuses to say anything. The mystery deepens and fear creeps up from the depths of the night... A Japanese "cautionary" horror film about what can happen in everyday life.
葱
Director
A prep school student living alone in Tokyo from Fukushima is suddenly visited by his mother. For some reason, she is wearing a white motorbike helmet. I wonder if she has come alone from Fukushima on her motorbike. When she comes into the room and puts her feet up on the kotatsu, she doesn't take off her helmet, and she is still holding the shopping bag with the leek in it. Her mother refuses to say anything. The mystery deepens and fear creeps up from the depths of the night... A Japanese "cautionary" horror film about what can happen in everyday life.